A Study Of The Anti-Utopian Colors In Chinese Animation In The 1980s-1990s

In the 1980 s and 1990 s,many classic animation works emerged in China.Under the special social background and cultural background of this period,these animation works have uniqueness and representativeness,which have a profound impact on the development of the subsequent animation industry.Starting from Moore's Utopian theory,this paper draws on the basis of Utopian theory and introduces the anti-Utopia theory system and summarizes the ideological core of Western anti-Utopia theory.Taking the animation works of China in the 1980 s and 1990 s as the research object,it explores the embodiment and representation of dystopian color,and analyzes the motivation of dystopian color in animation.It aims to study the expressive thinking characteristics of Chinese classic animation works in a certain period of time,and is inspired by animation creation.This paper can be roughly divided into two parts: The first part explains what is the "Utopia" theory and the "anti-Utopia" theory.The second part fully explores the dystopian colors contained in the Chinese 80-90 s animation works from the four aspects of animated characters,animated themes,animated plots and animated audition languages,combined with the classic animation works of the period.analysis.