View,Type,Collage

By studying the existing literature,the author knows that people's understanding and research on ancient architecture lacks substantial objects and their associated environmental substantive issues.There are two reasons for this phenomenon: the first is the special Chinese culture and special building materials;the second is the construction and transformation of the ancient Chinese architecture and the corresponding architectural environment.This article is an architectural perspective related to the traditional landscape paintings of the Ming Dynasty through the traditional landscape paintings of the Ming Dynasty.Taking the architectural images in the traditional landscape paintings of the Ming Dynasty as the research object,this paper studies the similar creative creation methods in the landscape paintings of the Ming Dynasty and the ancient architectural styles,analyzes the architectural forms embodied in the traditional landscape paintings of the Ming Dynasty,and the rules and methods of the architectural forms.The deeper cultural meaning that the wants to express.The overall concept of this paper is derived from the spatial structure in the traditional landscape paintings of the Ming Dynasty,and then provides spatial language conversion reference for Chinese native architecture from the landscape paintings of the Ming Dynasty.Throughthe three methods of view,type and collage,this paper tries to explore the architectural icons belongings to China,thus realizing the graphic space translation of landscape painting in the Ming Dynasty.The full-text research is divided into three parts: the first parts the observation method mining.Viewing the law and observing is a way of thinking.This article is carried out from three aspects:“ three far method+one far method”,“seven observation method” and other views;the second part is different under the view.Geometric space prototype.Different geometric types are summarized by the above enumerated methods,and different geometric types and geometric scenes are summarized.The third part is the attempt of combination.Based on the previous combing and summarizing geometric types and geometric scenes,we found a landscape painting of the Ming Dynasty that included the concept and type of this design study,forming a complete geometric space architecture evolved through the Ming Dynasty landscape painting.