The Application Of Theory Of Light And Shadow In The Watercolor Painting Creation

Visual image culture has become a dominant and comprehensive cultural landscape.As a visual language and painting expression language,it is an urgent task to discuss the pattern of light and shadow in the field of artistic creation.Therefore,studying the pattern of light and shadow is an important task to explore the contemporary painting form,and it is also an important way to form personal art style.It is also an important way for people behind the painting to interpret life and understand the world.Reviewing the course of art,any slight change in the understanding and expression of light and shadow will form a new school or trigger a revolution in the history of painting:from natural imitation to subjective reconstruction;Illustrative turning to abstraction;Natural turning symbol;Imitation towards ideals;In the form of artistic expression,which tends to deform,it is closely related to the visual language of light and shadow.Therefore,according to the history as a clue,by using ancient times and using Shi Mingjian,we comb out the development history of light and shadow in Chinese and Western painting works,outline the cultural connotation of light and shadow painting art,and explore the expression patterns of "light" and "shadow" in classic watercolor creation.,To decode and decode the language of light and shadow,it shows a unique light and shadow aesthetics.By decoding and decoding the form language of light and shadow,we consciously form a unique individual coding style,explore the self-regulatory use of light and shadow language in painting,and re-understand and think about the expression mode of watercolor creation.Reviewing the development of light and shadow,examining the current development of Chinese watercolor creation,and looking at the humanistic spirit of the pre-era era,from the three aspects of the existence,expression and aesthetic patterns of light and shadow,The watercolor ontology language and the comprehensive material language are the two technical routes for watercolor creation.The relationship between the creators,the expressions of the works,the language,and the audience is deeply explored,and the aesthetic characteristics of watercolor creation are further internalized and integrated into the spirit of contemporary art.At the same time,we constantly study the new materials and new manifestations seen at the level,consciously explore the ontological language of watercolorand the new era of humanistic care and social forms of the combination of painting forms,so as to evolve and promote the development of watercolor multivariate creation.Look at the similarities and differences between Eastern and Western art and culture,explore the relationship between Yin and Yang philosophy and Western light and shadow,look for a "common factor" between Chinese and Western watercolor cultures,and sum up light and shadow in the practice of watercolor creation.Summarize a set of feasible expressions of the law of light and shadow language.Uphold the inheritance,uniqueness,innovation and experimentation of Chinese watercolor art language,and restore the self-confidence and cultural foundation of Chinese culture in order to satisfy the formal pursuit of Chinese aesthetics and promote the progress and extension of watercolor creation.