To Study On The Narrative Strategies Of Chinese Road Movie

Road movie is a combination of mobility,vagrancy and popularity.As a kind of Hollywood movies,It have a kind of mobility since its birth.Road movie show "on the road" stories,combined with movies flowing images,giving the film new vitality.The protagonist sets out for different purposes,and the scenery he sees on the way is the film's record of the popularity of an era.China's road movies started relatively late,and the first recognized domestic road movie was "All the Way" directed by Shi Runjiu in 2001.In this short decade,Chinese road movies have formed their own unique narrative mode.This paper will take domestic road movies as the research object,combine the classic film case,and sort out and analyze the narrative strategy of domestic road movies.In the first chapter,the introduction focuses on reviewing the development of domestic road movies,and defines the concept of road movies based on the current research situation.Chapter two combines with the classic works of domestic road movies in the past ten years,from the perspective of character construction,analyses the character's identity setting and the arc of character growth,and explores the changes of characters in the development of domestic road movies.In the third chapter,from the perspective of space narrative of road movies,the action space,screen space and space modeling of domestic road movies are analyzed to find the unique space setting of domestic road movies.Chapter IV focuses on the theme presentation of domestic road movies,combined with the theme analysis of classical movies,to explore the values conveyed by domestic road movies.The fifth chapter is an analysis of the author's original script in combination with the characteristics of domestic road movies in character construction,spatial narration and theme presentation.