Study On The History Of Acceptance Of Xikun Style During The Modern Times

Xikun Style was named after Yang Yi and others who participated in the compilation of Xikun Remuneration Song Collection in the early Song Dynasty.After more than 40 years of popularity in the Song Dynasty,Xikun Style gradually faded out of the poetry circle,and less attention was paid to it after the Yuan and Ming Dynasties.In the modern and contemporary times,Chinese society was influenced by the West because of political factors,and its traditional literary views were gradually westernized,forming a situation of parallel classicality and modernization of literature.The general situation of acceptance of Xikun style in this period showed a complex feature.Modern Xikun Style is the focus of the study of the acceptance of modern West Kun style.Zhang Hong,Wang Rongbao and others,aiming at reviving Yushan's poetics,imitated Yang Liu's literary and entertainment forms of organizing singing remuneration for officials in Beijing,gathered "The Collection of Singing Rewards for West Bricks" to carry forward West Kun's poetics.Through the efforts of poetry creation and theoretical criticism,they attempted to realize the pursuit of Yishan style and trace back to Du Fu's poetic situation.The ideal of beauty of poetry has resulted in their practice in Jiyi Mountain Poetry,Xikun Poetry and Effective Kun Poetry.Due to the difference of the times environment and political demands,the modern Xikun Style sublated the essence of Xikun's poetics,stripped the defect of excessive imitation of the form of poetry and lack of emotional thickness in Xikun style of Northern Song Dynasty,and paid attention to the multi-level hidden feelings of national destiny,national mood and personal declaration in the expression of poetry,which saved the loss of Xikun to a certain extent and endowed it with new vitality of poetry.In addition to the modern Xikun Style,the Tongguang Style parallel to the late Qing Dynasty also has Chen Yan and Shen Zengzhi,who combed the development of Xikun from the perspective of the Song Dynasty's poetic history;Fan Zengxiang of the Tang and Song Harmony School admires Xikun's elegant demeanor and retains more works of Xikun Style,and accurately observes the poetic connection between Xikun Style and Jiangxi Style,criticizes the narrow poetic concept of "learning Huang Chen is Pingxi Kun",which is easy to follow and Dingxi Kun Style has the characteristics of flourishing literature,whileinheriting the poetic traditions of Yang and Liu,and refines the classics for poetry.Its works show a strong fashion of Xikun;Jin Tianyu,a revolutionary poet in the poetry circle,advocates the differences of literature from the perspective of cultural innovation,and opposes the translation of such classical poetry as Xikun Style;other non-sectarian poets such as Zheng Xianfu,Liu Xizai and Yu.Yue,Hu Nianxiu,Zhu Tingzhen and others have considered and explored the Poetic Orientation of Xikun Style,the causes of its prosperity and decline,the use of dictionaries and allusions,and the over-simulation of Yishan Poetry.In modern times,the acceptance of Xikun Style was praised and criticized,but the scope of discussion was not widened in the pre-Christian era.The acceptance of Xikun in this period was mainly reflected in Li Jingkang,Yu Shao Song,Huang Kan and other people's cultural attitude towards the overall style of Xikun Style,the significance of the times,the promotion of modern style poetry,and the tolerance of allusions and beautiful algae.Similarly,the criticism of Xikun Style mainly focuses on Zhao Yuancheng,Huangjie,Qian Zhenhuang and others who think that its use of allusions is profound,its rhetoric is flowery,its imitation of Yishan is excessive and lacking in temperament,and its poetry style is not widely spread.In addition,Yao Yingxiao,standing on the cultural view of Tang and Song poems,paid attention to the origin and evolution of the style of Western Kun poetry and the innovation of Oumei's style of Western Kun poetry;Yang Zhongxi's Xueqiao Poetry Talks may mention and elaborate on those who paid attention to the style of Western Kun poetry in Qing Dynasty,and Hainachuan,Ding Yi and others were correct in the confused meanings of "Li Shangyin style","thirty-six style" and "thirty-six style of Western Kun poetry".The definition of "Xikun Style" has been excavated,which plays an important role in clarifying the meanings of "Xikun Style".The representative collection of poems in Xikun style,Xikun Remuneration Song Collection,has gradually returned to silence since it came into being,which caused great repercussions in the early Song Dynasty.It was almost unknown in Yuan and Ming Dynasties.It was not until Feng Ban and Feng Wu devoted themselves to collecting and sorting out the collection of poems in the early Qing Dynasty that the status quo of Xikun Remuneration Song Collection was gradually changed.Affected by the Qing Dynasty,Xikun Remuneration Song Collection spread widely in modern times.Wu Chongbo,Ye Dehui andFu Zengxiang's engravers included Xikun Remuneration Song Collection in their compilation series,thus ushering in the climax of acceptance of Xikun Style.In society,Zheng Zaishi's Notes Xikun Remuneration Collection and Wang Zhongqian's Xikun Remuneration appeared successively.Singing Collections and Annotations,etc.,play an important role in guiding future scholars to correctly locate the literary value of Xikun Style and Xikun Remuneration Singing Collection.