Research On A Symbolic Study Of "Flying Bird Schema" In Yan Zhilong's Paintings Subject

Yan Zhilong's works have gradually emerged in the art circle since 2003.His early works began to deviate from the realism prevailing in the art circle at that time and did not intend to depict the reality simply.His works have obvious personality expression and stylistic tendency.Until 2010,Yan Zhilong's works have undergone significant changes.His works in the Spring and Autumn Birds series show two completely different forms of aesthetic feeling,so that they have formed a very identifiable paradigm.Such a process of evolution is a natural revelation,a product of the reflection on culture and the excavation of his own inner spirit.His works are in different periods.The formal language and stylistic features presented are a process of mutual inheritance and continuous evolution and deepening.Since the 1980 s,China's artistic environment has undergone tremendous changes.Western modernism and traditional oriental aesthetics have jointly stimulated the evolution and development of Chinese art.Yan Zhilong has experienced the continuous changes of Chinese art,but he is able to calmly face the inner current and explore his own creative path.Yan Zhilong's paintings with the theme of flying birds have also been controversial,which is just the starting point of this article.Throughout Yan Zhilong's creative process,we can have a more in-depth and specific understanding.This paper mainly interprets and analyses the symbolism in Yan Zhilong's paintings with the "flying bird pattern" as the main line,and expounds the evolution process and formation reasons of Yan Zhilong's paintings,as well as the contemporary significance and spiritual connotation of his painting construction.The first part is the introduction,which discusses Yan Zhilong's related situation and conceptual problems,as well as the necessity of the research from the following aspects: the reasons for choosing the topic,the current research situation,the purpose and significance of the research,and the research methods.The second part analyses the symbolic meaning of "bird schema" from different cultural backgrounds of China and the West,which can provide theoretical basis and historical background for the later analysis of "bird schema" in Yan Zhilong's paintings,and at the same time verify the validity of the "bird schema".This also provides the possibility for the dialogical analysis between China and the West under the heterogeneous culture.The third part divides Yan Zhilong's early paintings into three different stages,and analyses the formation background of Yan Zhilong's painting style,as well as the change of his early creative ideas and concerns.At the same time,it analyses and interprets why the "flying bird schema" has become the focus of the picture and gradually emerges from the picture,thus laying the foundation for the later formation of the "flying bird schema".Effect.The fourth part divides the evolution of Yan Zhilong's "bird schema" into three periods,which is also the key chapter of this paper.Through this division,we can systematically discuss the evolution process of his paintings and intuitively feel the different changes and artistic characteristics of each period.It is more logical for the article to analyze its changing stage and process concretely.The following key chapters are drawn through the progressive way.The fifth part studies the symbolic orientation of Yan Zhilong's paintings from the aspects of non-sociality,narrative dialogue,implication and metaphor,and the local meaning constructed by the "flying bird illustration".By grasping the key points,we can have a deeper understanding of Yan Zhilong's paintings,find the value of its shadow collection,and reflect on the background of contemporary art.In such a high-speed information age background,a large number of different and changeable plastic language,forms of expression and organizational methods have impacted our traditional ideas.When Yan Zhilong's works are put into it in combination with China's artistic environment and artistic history,we can still get inspiration and reflection from them,and his works are still full of vitality and vitality.