A Study On The Image Groups Of Gaotang In Song Ci

The legends originating from Song Yu’s Gaotang Fu have been widely circulated since ancient times,and people are fond of talking about them.Three kinds of Gaotang imagery series have come into being: the geographical Imagery Series "Gaotang,Yunmengtai,balcony,Wushan";the character Imagery Series "goddess,Songyu,Xiangwang";the original Imagery Series "Zhaoyun,Xingyu".These series of images in the works of later literati and poets radiate vigor and vitality,and derive a series of related images,thus combining into the image group of Gaotang Dynasty.Because Song Ci mostly wrote about the feelings of men and women,it favored the image group of Gaotang Dynasty with erotic connotation.But at present,there are still some shortcomings in the study of the use of image groups of Gaotang in Song Ci: Firstly,although the scope of the study of image groups of Gaotang is relatively wide,it mostly focuses on the study of one or a certain kind of image,and the collected works are not many;secondly,the explanation of the reasons why people in Song Dynasty like to use image groups of Tang Dynasty is not comprehensive;thirdly,the preference of Tang Dynasty is not comprehensive.The significance of the use of elephant groups has not been analyzed and interpreted.Therefore,it is necessary to make a more comprehensive and systematic analysis of the use of image groups in Song and Tang Dynasties on the basis of further sorting out the works of image groups in Song and Tang Dynasties.This article is divided into three chapters:The first chapter analyses the background of the image group of Gaotang in Song Ci.From the accumulation of literary works in the previous dynasty,the influence of social atmosphere and psychological factors on the creation of Song people,this paper analyses and demonstrates the reasons why Song people like to use Tang imagery group.First of all,the use of Gaotang imagery group in previous literary works is quite common.The connotation of Gaotang imagery group in Song Dynasty is derived and deepened from previous works.Secondly,the prevalence of prostitution in the Song Dynasty,the strong sense of enjoyment among literati,and the psychological pursuit of a sensation of sexual encounter,and the image group of the Gaotang Dynasty is in line with their requirements.Therefore,scholars in Song Dynasty often used images of Gaotang to describe men and women’s affairs.The second chapter explains the use of Gaotang imagery group in Song Ci,and expounds the use of three categories of Gaotang imagery series.It is pointed out that the images of Gaotang Dynasty are often combined with dreams to express feelings and feelings,and most of the works of geographical image series and competent image series are used to express men’s and women’s affairs.Some of the works are written directly with erotic feelings,vulgar language and low style,which are close to folk slang.Some of the works are refined to a certain extent,or contain the bitterness of missing each other,or the sadness of nostalgia,or the feeling of detention,or the sigh of the perishable youth.In addition,in the series of geographical imagery,works with Wushan imagery tend to use other imagery to perfunctory the story of Gaotang Fu,or to describe the prosperous scenery of Wuxia.The images of Zhaoyun and Xingyun in the series of images of competence are easily personified and used to refer to sweethearts or singers and dancers.The use of the image series of human figures is relatively simple.The goddess image replaces the meaning mostly.Some chanting words use the image;the images of Song Yu and Chu Wang are often used together to write about men and women.The use of Gaotang imagery group in the names of ci-poems mainly concentrates on "A Cloud in Wushan" and "Gaobalcony",the contents of which are mostly about the bitterness of missing each other.The third chapter discusses the significance of the use of image groups in Song Ci and Gaotang Dynasty.It holds that Song Ci inherits the description of erotic themes in previous poetry works,and is more bold and open.The use of this group of images is no longer implicit and graceful lyricism through scenery,but frank and honest voice,which solidifies the erotic connotation of image groups in the Tang Dynasty.Later generations of scholars can express their feelings to the group of images when describing erotic feelings.In the Five Dynasties,the image group of Gaotang Dynasty generally presented a "vulgar" feature,which lasted until the early Northern Song Dynasty.After the efforts of Liu Yong,Yan Jidao,Wu Wenying and other scholars,the image group faded the "vulgar" meaning,added the "emotional" experience,more implicit,and made the literati have a variety of choices in the process of literary creation.