Exploration Of Erhu Playing Shadow Play Music In East Hebei

Shadow play in eastern Hebei is an important representative of folk drama in northern China,also known as "Luanzhou Shadow Play","Tangshan Shadow Play","Lao Sheng Er Shadow Play","Donkey Shadow Play".It has its own system of performance forms,unique style of voice system,lifelike performances with the accompaniment of singing and melody,all reflect its unique local characteristics.The most prominent local style is the accompaniment of singing and instrumental music.The greatest feature of instrumental accompaniment is to play with the tune.The main accompaniment instruments of Huqin are Sihu and Erhu.Sihu can be perfectly integrated with the tune because of its own uniqueness.Erhu can also learn from the performance techniques of Sihu.The development of Erhu Opera has been diversified up to now.Erhu Opera with local style is created by absorbing musical elements such as local opera.In these Erhu Opera works,the unique performing techniques are used to highlight local flavor.Based on the analysis of the singing,slab style and accompaniment of Jidong shadow play,this paper studies the instrumental playing style of Erhu shadow play music in Jidong.Through the research,we can better interpret the style and characteristics of Jidong shadow play music.This paper is divided into four chapters.The first chapter is the introduction,which elaborates the purpose,significance and method of the research,and analyses the current situation of the research at home and abroad through literature collation.Chapter two is an overview of shadow play in eastern Hebei Province.It gives a brief overview of the origin and development of shadow play in eastern Hebei Province,as well as the film words,patterns and voices.Chapter 3 The accompaniment instruments of Jidong Shadow Play.Firstly,the accompaniment instruments of Jidong Shadow Play are analyzed,and then the main accompaniment instruments,Sihu,are introduced,so that you can have a certain understanding of the style of performance techniques.Finally,the comparison between Sihu and Erhu is discussed,so as to understand more intuitively how Erhu can learn from the performance techniques of Sihu.Chapter IV Erhu performance Jidong shadow play musical instrumental performance techniques analysis,this chapter is the focus of this article.This chapter first introduces the Erhu works of Jidong Shadow Opera style,and then analyses the techniques of Erhu playing the music of Jidong Shadow Opera in the form of acoustic cavity.Finally,it analyses the techniques of Erhu playing the music of Jidong Shadow Opera in the form of musical board.The significance of Erhu playing Jidong Shadow Opera music lies in that the analysis of Erhu works of Jidong Shadow Opera style will help Erhu learners to better grasp and interpret the style and characteristics of Erhu Opera of local style,and also play a role in the study of Jidong Shadow Opera,promoting the inheritance and protection of intangible cultural heritage in China.