Beyond Accidental Encounters:from Kierkegaard's "Classic Harmony" To Individual Survival

Kierkegaard believes that in every art work called a classic,there is a deep harmony echoed in it,and this kind of harmony is the quality of harmony that classic works have.This quality of harmony refers to classics.The works of art have such a feature:the absolute harmony of the two forces of form and content,which includes not only the extraordinary subject matter being clarified by the appropriate form,but also the accurate expression and grasp of the proper nature of the subject matter itself.The combination of form and content is a lucky encounter that transcends contingency,allowing the two elements that belong to one to become one.He highly praised Mozart's "Tang Juan".In his view,Mozart's "Tang Juan" used the most abstract music medium to express the most sensory thoughts,which satisfies the perfect unity of thoughts and corresponding forms,The lucky encounter of form and content is realized,so it is praised as the first of many classics that have undergone eternal trials.Mozart's "Tang Juan" is a typical representative of the perfect unity of form and thought.The discussion of the classic concept of harmony is developed in detail through the specific embodiment of absolute harmony in Mozart's "Tang Juan".This article will take the absolute harmony of the two forces of form and content in Kierkegaard's classic harmony view as the basis of the argument,specifically referring to the argument that Mozart's "Tang Juan" is a classic and should be the head of the classic.This view examines the living conditions of individuals living in a sensory aesthetic world.On this basis,it explores the aesthetic thinking triggered by the living individual,and then explores the survival path for achieving individual freedom,and the aesthetic value and enlightening significance brought by the aesthetic thinking.Compared with Kierkegaard's other literary and aesthetic principles,such as irony,indirect communication,despair,faith,etc.,his knowledge of the harmonious quality in the classics did not attract much attention.Most of his "survival realm theory" is also an overall depiction,and there are few studies on his aesthetic realm alone.This article hopes to start from the theoretical connotation of Kierkegaard's classic view of harmony,and combine with the specific exposition of the harmonious quality in Mozart's "Tang Juan" to create a purely sensual aesthetic world in Mozart's "Tang Juan" Among them,to spy on the living state of the individual living in this state.At this stage,the individual is fully enjoying his senses and desires,and the self-consciousness has not yet awakened.On the basis of the aesthetic realm,combined with the survival performance of Johannes in the Diary of the Seducer,two typical individual survival states under the aesthetic realm are displayed.Both are far away from the realization of the true goal of individual freedom,which leads to a deep reflection on the survival of the individual.This kind of thought of existence has important aesthetic significance for guiding individuals to pursue spiritual freedom,and also has a very important enlightening effect on the practice of literary and artistic creation.The study of the harmonious quality of the classics was carried out in the argument that Kierkegaard's "Tang Juan" around Mozart was classic and should be the head of the classic.The specific research content is as follows:First,based on Kierkegaard's text,from the book "Either Either or Other",the generation process of the classic concept of harmony and its specific connotation as artistic principles are sorted out.The absolute harmonious relationship between the two forces in "Tang Juan" is illustrated.On the basis of these theories,the aesthetic characteristics of Mozart's "Tang Juan" presented under harmony are further combed;Second,Mozar's "Tang Huang"?As the premise of the typical characteristics of the classic representative of the harmonious concept of practice,taking Tang Huang and Johannes as an example,summarize the individual survival characteristics of living in the aesthetic realm.Then from the unique narrative strategy used in the construction of the aesthetic world to explore the pursuit of survival of the aesthetic individual,and then expand the aesthetic thought of individual survival and find a way to achieve individual freedom;Third,evaluate Kierkegaard's overall The aesthetic value and practical significance of classic harmony.In terms of its aesthetic value,it is expressed as a guide to the reader's passion for survival,to motivate individuals to pursue an aesthetic suitable for survival,and to lead themselves back to their spiritual home.As an artistic principle,it provides artistic guidance for the practice of literary creation.In the process of practical creation,it adheres to the unity of poetic art and poetic content and pays attention to the introverted survival experience.