A Research On The Creation Of The Documentary Related To The Culture Of Traditional Costume In New Era

Traditional costume is the carrier of national culture and the symbol of a nation's culture.In recent years,documentaries about traditional costume culture have always been a hot topic,and through media communication,more audiences pay attention to traditional costumes.Show the unique traditional dress culture to the public with real language and story.The author first of all,about the documentary of traditional costume culture and the related literature,carding twenty documentaries(48)study,shows that the new era traditional costume culture documentary from the aspects of subject matter can be divided into national three main types,time,space,in the national subject is divided into represented by a deep sense of "youth" of the han nationality traditional clothing,in the southeast of happiness,such as "clothes make the man and the secret language" in the ethnic costumes;In the theme of The Times,educational documentaries that tell the history of hanfu against the background of history,such as ancient poetry costume,Chinese costume culture,etc.In the space theme,it is physically divided into three national traditional costume documentary themes: Chinese hanfu "fashion impression: I am crazy about hanfu",Korean hanfu "Korean cultural heritage:Korean wide-sleeve hanfu",and Japanese kimono "[pot of beauty] kimono beauty".From the perspective of film and television narrates,it can be concluded from the narrative Angle,narrative mode and narrative structure that documentaries can present the charm of costumes and show the confidence of culture by taking the traditional costumes as the entry point and using multi-angle,story-oriented,individualized and multi-line narration.Documentary,"Dressing in Han Nationality Clothes" in the form of image recording,with reference to the practice of the current documentary about hanfu and dress creation status quo,hanfu lovers as object,through interviews with a combination of story narrative,mainly from the narrative technique,narrative perspective,narrative structure,the use of montage and sound use of theory analysis and practice operation.On the narrative technique,using the technique of expression of the story,the reasonable arrangement of the architecture of the story,this hero Chan such as clothes,three han wind club President luca brasi,President of lanzhou hanfu,rally,subject,indoor stylist ya-wei song story,on the premise of guarantee real rich movie plot;In terms of narrative perspective,the author adopts the editing omniscient perspective,and the character characteristics are enriched by switching between the omniscient perspective of the third person and the restricted perspective of the first person.In terms of narrative structure,the staggered progressive structure composed of three clues and several clues of different time and space are used to interweave and develop.The fragmented space is integrated under the unified theme framework and fixed narrative logic,and the dramatic effect of the film is increased by creating suspense and cohesive clues.In terms of the use of montage,the first is to make the film not boring and increase the vividness by changing the shots.The narrative perspective of the characters is adjusted according to different narrative angles,and the story of the characters is transformed into a natural and complete documentary work.In the use of sound,the distance between the characters and the audience is narrowed by the simultaneous use of sound.From the perspective of aesthetics,this paper combines hanfu with documentary,creates a special documentary of humanistic value through the sound and painting editing with aesthetic characteristics,and tells a valuable viewpoint--strong confidence in Chinese culture with the stories of little people.