On Some Problems Of FA Qu

Faqu is a new kind of music in Sui and Tang Dynasties,and it is the master of court Yan music in Sui and Tang Dynasties.As a symbol of harmony between government and people,such a music form has a significant impact on the music of later generations,and also has a certain role in promoting the music form of East Asia and its neighboring areas,among which Korean folk music and Japanese elegant music are the most prominent.For such a form of music,there have always been a lot of disputes in the academic circles on its research and analysis.The disputes mainly focus on the origin of French music,the relationship between French music and French music,and the relationship between French music and Daqu.And there are no conclusions around these three issues.The author mainly uses the research method of the combination of historiography and Philology,based on the historical documents,taking history as the main line,and comparing the historical track of faqu in Tang Dynasty,fayue in Wei,Jin,southern and Northern Dynasties and Daqu in Tang Dynasty,and exploring the origin of faqu and its relationship with fayue and Daqu from the root.This paper mainly includes three parts: the first part,the origin of the naming of French music and the multi-source of music sources.On the basis of academic discussion,the author divides it into two parts: the origin of FA Qu's name and the origin of music.In terms of the origin of the name,there is a certain connection between the name of faqu and the name of "fayue";in terms of the source of music,the author re combs the six major musical factors related to faqu,which are divided into two parts: the main music source and other music sources.The Qing music,Buddhist music and Taoist music are divided into the main music sources of faqu.The hu music,court Yan music and elegant music are included in other music sources of faqu.The six major music factors constitute the multi-source of faqu music.The second part is about the relationship between FA Qu and FA Yue.The author uses the method of comparative study,from the origin of the two,their functions and purposes,their status in each dynasty and the reasons for their decline and death,to study the specific differences.The third part,the relationship between FA Qu and Daqu,the author thinks that FA Qu is not a form of Daqu,but FA Qu and Daqu are not completely "isolated" development.This paper starts with the concept,origin and change,structure,music organizationof the two,compares and analyzes the specific differences between the two,and then based on some works with high similarity,studies the assimilation of the two in some aspects after communication and integration,and finally concludes that FA Qu and Da Qu are two different music forms that produce intersection in parallel development.