An Analysis Of Xiaokai Art In The Late Ming And Early Qing Dynasties

A trickle,a long river.As the last historical climax of Xiaokai in ancient times,Xiaokai in the late Ming and early Qing Dynasty has historical reasons and artistic value that can not be ignored,so Xiaokai always has its own place in the history of calligraphy and continues to this day.Xiaokai in the late Ming Dynasty liberated the calligrapher's creative spirit through ideological emancipation,and then a large number of calligraphers created a generation of fine Xiaokai.These calligraphers drew nutrition from various aspects such as ideology,economy,culture and society.They also enriched the history and style of Xiaokai in the early Qing Dynasty through various writing forms,thus forming a variety of artistic styles,characteristics and changes Kind of work.This paper is divided into five parts:1? The mature background of Xiaokai in late Ming and early Qing Dynasty.In the late Ming and early Qing Dynasty,Xiaokai of the silent two dynasties ushered in a comprehensive awakening,becoming the third peak of Xiaokai after that of the Jin and Tang Dynasties.Through the social age,cultural thought and calligraphy development,we can understand the premise of the development of Xiaokai in the whole period,which is also the historical basis of the study of Xiaokai in the late Ming and early Qing Dynasty.2? The reason for the rise of Xiaokai in the late Ming and early Qing Dynasty.The reasons for the development of things are complex and changeable.The development of Xiaokai in the late Ming and early Qing Dynasty has the following four aspects: ideological emancipation,economic prosperity,cultural assistance,and the improvement of social public participation;ideological emancipation is the beginning,economic prosperity is the driving force,cultural assistance is the core,and the improvement of social public participation is inevitable.Through the analysis,it can be concluded that the rise of Xiaokai is the result of these four aspects complementing,influencing and promoting each other.3? The relationship between abundant writing forms and Xiaokai.This chapter analyzes the artistic value of Xiaokai in the late Ming Dynasty through the change of writing content.If it is only limited to the study of the reasons,style and significance of Xiaokai in the early Ming and Qing Dynasty,it is not enough to study it in an all-round way,which is prone to one sidedness.This paper analyzes the artistic value of Xiaokai in the late Ming and early Qing Dynasty through four writing forms.4? Different calligraphers have different artistic styles.The style of Xiaokai in the late Ming and early Qing Dynasty can be divided into three types,which basically include the artistic style of all Xiaokai calligraphers in the late Ming and early Qing Dynasty.This chapter explores through analysis: 1.Trace back to Zhong You's road-"simple and elegant".2.From Erwang to the study of Tang,song and Yuan Dynasties,"natural and agreeable".3."Freedom of personality" is a breakthrough.This paper analyzes the artistic value of Xiaokai in late Ming and early Qing Dynasty through three styles.5? The significance and influence of Xiaokai in late Ming and early Qing Dynasty.Finally,combined with the development of Xiaokai in the late Qing Dynasty and the achievements of various calligraphers,this paper analyzes the influence of Xiaokai in the late Ming and early Qing Dynasty on Xiaokai at that time and its position and influence in the history of calligraphy.