A Study Of Satire In Song Dynasty

In the development of Chinese Fu,satire is one of the most distinctive types.After a thousand years of accumulation,satire became more and more mature in Song Dynasty.The satirical Fu of Song Dynasty is rich in types,various in techniques and distinct in themes.It not only inherits the creation style of satirical Fu of previous generations,but also promotes the further development of satirical Fu of Ming Dynasty.Its position in the history of Ci Fu cannot be ignored.Based on the historical facts of each period of the Song Dynasty,this paper analyzes the typical satirical Fu,sorts out the general context of its development,and describes the remarkable features and features of satirical Fu in each stage.In addition to the introduction and conclusion,there are four chapters.The introduction mainly discusses the research object,the significance of the topic,the research status and the specific research methods.The first chapter mainly reviews the development of satire before Song Dynasty.This part divides the development of satirical Fu before Song Dynasty into three stages: pre-Qin,Han,Wei,Six Dynasties and Tang Dynasty.It discusses the outstanding characteristics of satirical Fu in each stage,which is related to the style and style of satirical Fu in Song Dynasty.It mainly emphasizes the inheritance of the realism of the book of songs and the spirit of the songs of Chu,the absorption of the momentum of the great Fu and the individuality of the small Fu in Han Dynasty,and the prose of the middle and late Tang Dynasty The acceptance of irony.The second chapter takes the article type of satire in Song Dynasty as the clue,and makes a concrete research from the whole.The first section mainly studies the current political satire which is popular in the Middle School of the Northern Song Dynasty,which is characterized by satirizing the national policy and social ideology,and exhorting the king,and separately combs the representative Wang Yucheng;the second section mainly studies the self satiric satire which focuses on the real society from the perspective of self emotion,and expresses the criticism to the social current events by self satirizing to express the grievances and satirizing the world and human feelings The third section mainly studies the historical satire of patriotic writers reflecting history,reflecting history and expressing personal feelings by chanting historical buildings and historical facts;the fourth section mainly discusses the satire of objects with symbolicsignificance,by describing specific images and things,and makes in-depth analysis of the satire of writer Liu Kezhuang.The third chapter is divided into two sections to clarify the development and evolution of satire in Song Dynasty: the first section summarizes its prosperous performance and reasons from the Northern Song Dynasty to the early Southern Song Dynasty,and makes clear that it has the characteristics of outstanding writers,increasingly strengthened participation in political functions,the use of lyrical art and the integration of academic thoughts;the second section combs the evolution of satire in the middle and late Southern Song Dynasty,focusing on the development and generosity of Neo Confucianism The deepening of Ang's emotion,criticizing the reality from the perspective of life,and the structure of chapters and verses tend to be small and exquisite are illustrated in four aspects.The fourth chapter,based on the research of two and three chapters,analyzes the artistic characteristics and influence of satire in Song Dynasty in two sections: on the one hand,it mainly focuses on the importance of satire in the history of Ci and Fu,highlighting the innovation of its new creation in style,self adaptation and self-expression,and thecombination of "reasonable" and dilution in style;on the other hand,it focuses on the development of satire in Ming Dynasty In particular,it promoted the development of satirical Fu in Ming Dynasty,made satirical Fu return to Sao style in the middle of Ming Dynasty,and influenced satirical Fu in late Ming Dynasty.