Study On The Imitation Works Of Zhaohun And Dazhao

The simulation phenomena emerged endlessly during the literary evolution,and the works with exemplary features in the content and form were more likely to be selected for the simulation.Zhaohun and Dazhao,with abundant content,trim structure and fantastic language opened the spiritualism literary tradition of later generation and came into the view of the authors who like to imitate naturally.Therefore,“Cifu works created by imitate Zhaohun and Dazhao ” are taken as the research object in the article,the discussion on similarity and non-similarity of original works and imitation works is conducted under the view of literary reception,to realize the attempt made by the authors who like to imitate between constructing the original work and highlighting the ego,We can judge the value of the imitation works fairly,at the same time,know dissemination,acceptance and classicization of Zhaohun and Dazhao in later generations.The research on imitation works of Zhaohun and Dazhao is divided into four sections:The concept of the imitation works was defined in thesection of introduction,and the research object of the article was proposed to be “Cifu works created by imitate Zhaohun and Dazhao”,and the status,significance and method of the research on the imitation works of Zhaohun and Dazhao were expounded.Firstly,the creation motive of the imitation works of Zhaohun and Dazhao was explored and analyzed from the aspects of needs for learning writing,expressing condolence and the inheritance of Qu Sao spirit in the first section.Secondly,the imitation works of Zhaohun and Dazhao were sorted according to the purpose of “ spiritualism for return” in the original work,with works of calling the soul to return and works of persuading the soul not to return,by means of which the creation comb for configuration of the imitation works of Zhaohun and Dazhao was conducted.The creation and change of the imitation works in the content for the original work were explored in the second section,which firstly reflected the expansion of the spiritualism theme.Zhaohun and Dazhao were created based on the spiritualism custom of Chu,Fu,the spiritualism custom of Central China was combined in the imitation works of later generation based on this.The second reflection was the creation and change of the “evil statement” content.Firstly,the spiritualism from 4 or 6 directions such as north,south,east and west(heaven and earth)in Zhaohun and Dazhao waschanged to the spiritualism from various directions or other directions,the second was that the description of north,south,east and west(heaven and earth)in Zhaohun and Dazhao was enriched and the construction of imaginary for 4 or 6 directions.The last reflection was the creation and change of the beauty content.The first was that the view was more open,from the palace to the city and nature,the second was that the author’s unique aesthetic experience was added in the selection of objects.The creation and change of the original work in form were explored in the third section,which was mainly reflected in structure and language.In the structure,the disorderly circumstances in Zhaohun and Dazhao were changed and the disordered orders were added or deleted.In the language,the use of two or even three kinds of words which calling the soul makes the spiritualism words in the rhythm of the neat and rich in change.While using the sentence pattern of “OOOO,OOO xie(zhi)” in Zhaohun and Dazhao,a new sentence pattern was added,and the auxiliary word “xie(zhi)” at the end of the sentence was creatively transformed.Simulation lies in seeking difference,by means of the exploration of similarity and non-similarity of original works and imitation works,reinterpretation,recognition,re-criticism and recreation of Zhaohun and Dazhao could be seen,which makes the research on imitation works become the critical link in the process of the canonization of Zhaohun and Dazhao,so the research on imitation works of Zhaohun and Dazhao has the new value.