Research On Image-narration Of Yue Fei’s Story In The Ming And Qing Dynasty

The deeds about Yue Fei in ancient Chinese history can be described as widespread.Yue Ke’s “E Wang Xing Shi Chronicle” and “Song History · Yue Fei”have records of their deeds,Song Yuan’’s folk “speaking”and Yue Fei story literary in the drama has begun to take shape.After the continuous processing and interpretation of the Ming and Qing Dynasties,Yue Fei’s story became more mature,and gradually formed a typical representative image of Yue Fei.Due to the widespread circulation of Yue Fei’s story,many image paintings and engraved illustrations have been produced accordingly.The Ming and Qing Dynasties were the prosperous period of the development of Yue Fei’s story and its images.The rich number of illustrations and various graphic forms provided information for the study of the relationship between the graphic and the text of Yue Fei’s story and the evolution of character modeling.This article sorts out the texts and images of Yue Fei’s story,which is more representative of “Jing Zhong Lu”,“Da Song Zhong Xing Tong Su Yan Yi”,“Yue Fei’s Broken East Window”,and “Shuo Yue Quan Zhuan” produced in the Ming and Qing Dynasties.The illustrated works are research objects,discussing the evolution of the relationship between the graphic and the text of the story of Yue Fei in different periods,and further analyzing the mutual construction of the graphic of the story of Yue Fei and the evolution of the shape of Yue Fei,a historical celebrity.Apart from the introduction,the full text is divided into five parts.The first chapter firstly combs the texts and images of Yue Fei’s story to understand the evolution of Yue Fei’s story in different periods.The second chapter mainly investigates the background,versions and illustrations of the illustrated publications of the Yue Fei story in the Ming Dynasty,and further explores the graphic and textual relationship between the illustrated books of the Yue Fei story in the Ming Dynasty.At the same time,the relationship between the illustrations and the text of the Yue Fei story in the Ming Dynasty is relativelysimple and close,On the whole,it has a strong dependence on the text.The third chapter organizes the illustrations of different versions of the story of Yue Fei in the Qing Dynasty,and then compares and analyzes the illustrations,and finally explores the differences and changes in the form,function and character shape of the illustrations of the various versions of the Qing Dynasty.The fourth chapter focuses on the analysis of the mutual structure of pictures and texts in Yue Fei’s story,and explores and analyzes the text narrative law,image narrative law and graphic narrative law respectively,and focuses on the creation of Yue Fei’s embroidered figures in the analysis of graphic narrative law And its embodiment in image composition and modeling.By analyzing the evolution of the images of the Yue Fei story in different periods and the comparison of the images in the same period,it can be concluded that the images of the Yue Fei story have different painting performances in different periods.The engraving forms and illustration styles have their own characteristics,and they have certain characteristics of the times.However,they also follow certain common rules in the selection of image plots and spatial arrangements.In different versions of the version of Yue Fei,the character image not only draws on and absorbs other versions,but also has its own different styling performances.Even in the same version,it presents a variety of styling expressions such as scholars,Confucian generals,and military generals.The transformation of Yue Fei’s style from single to multiple not only reflects the change and promotion of Yue Fei’s image and status,but also shows the creative subject’s understanding and creation of Yue Fei’s story in the process of image drawing.This article attempts to study literary illustrations based on Yue Fei,a historical celebrity,from the perspective of graphic narratives,with a view to revealing the impact of the evolution of graphic relationships on the image and shape of characters.