| The excavation and discovery of the Han dynasty Tomb murals in Luoyang made up for the fact that there were few Han dynasty painting relics in Chinese history.This paper mainly studies the logical relationship between "form","schema" and "spiritual connotation" in the image language of Luoyang Han Tomb murals,explores the source of image language with "schema",and analyzes the aesthetic concept and enlightenment to later generations of murals..This paper,from the perspective of aesthetics and image science,combined with the research results of archaeology,religion and art psychology,explores the image language form of Luoyang Han Tomb mural.First of all,through the research in the image "model law" in the language,the selection of "color" and "space show" in the form of characteristic analysis,summed up the mural form characteristic of image language follow the conceptualization of image creation ","have the rhythm of life rhythm" and "schemata of multidimensional space and time to build" characteristics.Secondly,this "schema" is used to explore the spiritual connotation of "life view","aesthetic view" and "soul and soul" in the hearts of the Han dynasty.Finally,the paper analyzes the inheritance of the mural language of Luoyang Han tomb in terms of composition,figure modeling and painting style,as well as the inspiration of the mural language of Luoyang Han tomb to the theme selection and layout of contemporary painting.The products of the specific period and society of the Han dynasty Tomb murals in Luoyang provide references for the later generations in terms of composition,modeling and the use of brushwork in the creation of Tomb murals.With the change of the concept of funeral,the Ming room murals have retired from the stage of history,but their features continue to be retained and developed in the folk art,providing many traditional image language forms and traditional art resources for artists to learn from.Figure 36;Table 15;Reference 43... |
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