Research On The Innovative Application Of 3d Digital Technology In Chinese Traditional Landscape Painting Resources

The traditional Chinese landscape painting takes the natural landscape of mountains and rivers as the description object,"painting the sky and the world,and the categories are living together." Just as a Yuan artist Ni Zan,said: "It's like reeds and hemps,but servants can't argue." The external landscape shape carries an inner image and reflection.Therefore,landscape painting itself has transcended the representational form of physical images and has become a tradition Narrative of ideas.With the passage of time,many artists have tried to use new media expressions to present the charm of this traditional culture to the viewers,such as the two-dimensional ink and wash animation "Mountain Scenery" by the Shanghai Film Studio in the early days,and later using 3D digital technology.The production of ink and wash animations such as "Summer" and "Pink Green" has made the traditional landscape painting present more possibilities,making it break through the singularity of the original medium,and landscape painting has become more free,open,and diverse.It will be Creation,cognition and experience.Previously,the traditional way of displaying landscape painting was relatively single,mainly relying on museums,exhibitions,paper media,etc.,and in the creation,mainly relying on pen,ink and paper.With the popularization of digital technology and the rapid development of new media technology,the evolution of technology will give art a variety of possibilities,enrich the form of art presentation,and bring new expression and dissemination methods to traditional art.For example,3D digital technology provides a convenient and innovative way for the dissemination of traditional landscape painting resources,as well as re-creation and re-aesthetics based on this form.The research in this article is based on this.In order to make the researchmore orderly and clearer,this article chooses the green-green landscape painting resources in traditional Chinese landscape painting as the research object.Green-green landscape painting began in the Tang Dynasty.Mineral stone green and stone green are the main colors,which are divided into large and small greens.With their unique color and aesthetics,they give people a brilliant and beautiful,Wen Yun handsome beauty.During the research,the methods of literature investigation,comparative research and exploratory research,and the analysis of related works will be used to describe the current application of three-dimensional digital technology in the green and green landscape painting resources.On this basis,combined with the reading of relevant academic literature and self-thinking,I put forward my own views on the innovative application of 3D digital technology in traditional Chinese green landscape painting resources,analyze the advantages and necessity of the application,and conclude by Gains and losses in the application process,discusses the development trend and application prospects of future 3D digital technology in Chinese traditional green landscape painting resources.Provide rational and concrete thinking directions for the construction of self-art creation,and discuss the innovative application of three-dimensional digital technology to traditional green and green landscape painting resources.First,re-dissemination and re-creation of traditional landscape painting by means of multiple new media;second,learn or learn from various new technologies and use the advantages of new technologies to tap the characteristics of traditional landscape painting and other types of cultural expressions.Possibility of integration between them;thirdly,the in-depth and systematic exploration of aesthetic thinking and image cognition in landscape painting.In this way,the traditional cultural resources in the current cultural voice,renew their new value and life,and finally realize the traditional landscape painting resources in the present and future can continue to build linguistic methods and semantic content.On the basis of combing the theory,I will return to my artistic practice.Through the use of three-dimensional digital media language,the two-dimensional dimensional perception of the original green landscape is turned to the creation of a three-dimensional immersive aesthetic space,which is integrated into the subject's perspective through virtual camera equipment,thereby completing an immersive aesthetic sense,By means of stage effects,the self's picture style and the original meaning of green landscapes are grafted with reasonableness,and on the basis of tradition,the aesthetic taste and creative ideas of the self are integrated,and theresources are scanned through digital scanning.Restoration and preservation,on the basis of the text that remains,combine multiple technologies to create derivatives.