On The Emotional Construction In Abbas' Children's Films

Abbas has become the representative of Iranian film today.His film works full of humanitarian care and oriental aesthetics have been universally welcomed in Asia and the world.Starting from daily life,Abbas aimed his perspective on the marginal and weak groups of society,and spoke with children in an sincere and equal manner with an objective and unique perspective,and rewritten Iran's escape and conflicts when facing a series of social problems.The cowardly attitude makes its films have profound social value and significance.Based on previous studies of many Abbas films,this article focuses on analyzing the emotional construction in Abbas children's films,and how to comprehensively use a variety of expression methods to build and restore the innocence of children.To be specific,we mainly use the children's film works of Traveler and Where is my friend's home as examples to analyze emotions from two perspectives: adults and children.And from the dimensions of time and space,show their emotional construction strategies in children's films.Through a structuralist analysis,to deconstructed the lens language and expression methods he used,so as to explore the aesthetic connotation and philosophical themes in Abbas' s children's films.And strive to have a more complete and deeper emotional study of Abbas children's films through a smaller entry point.In addition,the author hopes to observe and study Abbas children's films,in this article,the author will talk about the reference and innovation of the emotional construction of Abbas children's works in the children's short film Goodbye,Niles.