The Leading Effect Of Sui Dynasty Calligraphy On The Style Of Calligraphy That Obeys The Law In Tang Dynasty

Chinese calligraphy has a long history and has been passed down from generation to generation.The development of calligraphy in different periods was influenced by the background of the time,and calligraphy in Sui Dynasty and Tang Dynasty were no exception.The Sui Dynasty calligraphy "inherited the six dynasties and inspired the three dynasties of the Tang Dynasty" provided the necessary conditions for the final formation of the style of calligraphy that obeys the law in the Tang Dynasty.The Sui and Tang Dynasties were the important periods when the regular script changed from the style of the pursuit of form of calligraphy to the style of the style of calligraphy that obeys the law.On the basis of inheriting the simple style of calligraphy in the Northern Dynasty,Sui Dynasty calligraphy was influenced by the elegant style of calligraphy in the Southern Dynasty,and formed a dynamic calligraphy form with the natural integration of the north and the south.The rudiment of regular script standardization is established preliminarily.On this basis,the early Tang calligraphers deepened the system,which laid a solid foundation for the formation of the style of calligraphy that obeys the law in the Tang Dynasty.The leading effect of Sui Dynasty calligraphy on the style of calligraphy that obeys the law in the Tang Dynasty has been studied.Based on the preliminary understanding of the unification between the north and the south in the Sui Dynasty and the historical and cultural environment of the development of calligraphy in the Sui Dynasty,the trend of Sui Dynasty calligraphy style and the integration between the north and the south has been discussed.The Sui Dynasty calligraphy gradually developed towards the direction of normalization was highlighted,which was based on the combination of specific calligraphic works.The influence of Sui Dynasty calligraphy on the style of the style of calligraphy that obeys the law in Tang dynasty was discussed in detail.This thesis mainly includes the following five parts.The first part isthe introduction,which mainly discusses the purpose and significance of the topic selection,the research ideas and methods,and the previous research results.The second part discusses the unification of Sui dynasty and the integration of north and south style.First of all,from the historical background,regional characteristics,political culture and other aspects,the overall environment of the unification of north and south in the Sui Dynasty was summarized.On this basis,Wang Bao's entry into the customs was used as a clue to analyze the phenomenon of the integration of the northern and southern style of writing in the later period of the Southern and Northern Dynasties.Sui Dynasty calligraphy inherited the north and south style of calligraphy analysis of different styles of calligraphy works.The influence of the integration of north and south calligraphy on Sui Dynasty calligraphy is described.Secondly,based on the social background of the unification of the north and the south in the Sui Dynasty,the differences in system,culture,economy and other aspects between the south and the north in the Sui Dynasty were compared to reveal the trend of the evolution of Southern and Northern Dynasties in the development of calligraphy in the Sui Dynasty.Secondly,it was based on the social background of the unification of north and south in Sui Dynasty.By comparing the differences in system,culture,economy and other aspects between the south and the north in the Sui Dynasty,the trends of the Southern and Northern Dynasties in the development of calligraphy in the Sui Dynasty were revealed,and the calligraphy of Ouyang Xun and Chu Suiliang were taken as examples to elaborate.The third part discusses the influence of Sui Dynasty calligraphy on early Tang Dynasty calligraphy.First of all,this paper makes an in-depth analysis of the origin,style characteristics and calligraphy influence of the representative works of regular script of Sui Dynasty,which shows the inheritance and development of Sui Dynasty calligraphy to the six dynasties calligraphy.At the same time,the SuiDynasty calligraphy gradually to the standard,gradually complete the trend was revealed.The detailed analysis of the regular script of Sui dynasty and the regular script of Tang Dynasty shows the influence of Sui Dynasty calligraphy on Tang Dynasty calligraphy,and summarizes the forming factors of the style of calligraphy that obeys the law in Tang Dynasty.Secondly,the author takes the name of imparting brushwork as the carrier,which is the legitimacy and secret of the inheritance of brushwork.Taking Zhi Yong,Yu Shinan and Ouyang Xun as the clue,this paper combined their calligraphy experience and calligraphy works to focus on the transmission of penmanship between Sui Dynasty calligraphy and Tang Dynasty calligraphy,and demonstrated the influence of Sui Dynasty calligraphy on Tang Dynasty calligraphy.The fourth part takes Yu Shinan and Ouyang Xun as the representative to carry on the case study to the calligrapher during the Sui and Tang Dynasties.First of all,Yu Shinan's personal experience and official career were sorted out,and he was objectively recognized and evaluated.Secondly,the author sorted out Yu Shinan's calligraphy works,deeply analyzed the inheritance of his calligraphy to Sui Dynasty calligraphy,and combined Yu Shinan's calligraphy theory to summarize his calligraphy style and its influence on later generations.Secondly,a brief introduction of Ouyang Xun's life and a description of his political career are presented to summarize Ouyang Xun's learning experience and calligraphy inheritance,and to study his calligraphy works and calligraphy theories in depth.This paper analyzes the inheritance of Ouyang Xun's calligraphy on Sui Dynasty calligraphy and the influence of Ouyang Xun's calligraphy on the style of calligraphy that obeys the law in Tang Dynasty.The fifth part is the conclusion.The full text is summarized and summarized.