Investigation And Research On The Musical Life Of Horqin Bayan Tariya Gacar

By observing and studying the context,history,current situation,changes and new media of the musical life of the smallest community--gacha,this paper tries to explore the characteristics and rules of the musical life of human groups in a specific space.Bayan tareya gacha is a typical village of half farming and half grazing in khorqin area.Bayan tareya gacha founded the bayan tareya folk art troupe in 2008,which has enriched the local musical life and is very influential in the local area.The author first followed and recorded the group,then took the activities of the group and the musical life of the members as the main line,expanded his vision and participated in the observation of local folk customs,folk customs,banquet music and other musical matters,so as to gradually understand the characteristics of the gacha's social lifestyle,local musical life,ethics and culture.With the investigation of the depth,ordinary life has gradually revealed its not ordinary face.Their musical life seems casual,but in the most demanding political movements,they risk being "criticized",arrange sentry to sing folk songs;Folk songs seem to be ordinary,but with the belief and custom in one line,has a deep traditional heritage;Folk songs have people and stories,people sing songs and tell stories to sacrifice mountains and rivers,and the music of consciousness behavior forms an inner interactive chain with each other.From the field to the stage,from face-to-face interaction to communication on multiple media platforms,the musical life of the villagers is adapting to the new environment and needs with the long river of time,and the inheritance is constantly changing.Khorchin tribe as the core of the day he tower GaZha,its music life is and old traditions,and in the long river of history has experienced the restructuring,due to the play of tribes migrate swimming interact and form of the adjacent tribal influence each other,went through the forest hunting,nomadic and farming and animal husbandry,farming different mode of production,such as the change of life style and aesthetic changes,the resulting psychological blend with other ethnic cultures in the process of the historical process,now the appearance of being presented is the result of a complex process.This paper focuses on the natural village of bayan tari yagacha,and describes,records and studies the background context,history and tradition,current situation and changes,new media and new ways of communication of musical life.However,the history of gacha is not fractured,and it is spatially closely related to neighboring villages.The villagers body Mongolian belongs to khorchin tribe,so GaZha music traditional narrative,not only from the oral interview records about GaZha music memories,but look more macroscopic background "khorchin music tradition",through the literature review provides an overview of khorchin traditional music traditional context,extension and matting for oral data.In the scope of space,the villages are the main part,but they also radiate the neighboring villages and cities.Therefore,the arrangement of the chapters is as follows: the first chapter is the context,which summarizes the natural environment,historical evolution,production and life style,religion,education and medical development of bayan tayi yagacha.The second chapter is the recollection of historical tradition,exploring the historical information in the musical life of gacha,objectively recording the memories of the old folk artists on the musical life of gacha,and subjectively combing and analyzing.Chapter three is the investigation report of "bayan tayya folk art troupe".The fourth chapter is the status quo and changes.It records and describes the folk customs and musical life of gacha people,such as "family feast","birthday ceremony","offering sacrifices to ao bao and offering sacrifices to fire",and explores related issues of tradition and changes.The fifth chapter is the new media and music life.On the basis of the author's field,the development of folk music under the penetration of science and technology and new media is preliminarily discussed.