The Application Of Ethnic And Folk Materials In Semenov's Bayan Music

Viatcheslav Semyonov is a famous educator,performer and composer in the field of accordion.Both his adapted and original works are very popular with performers and learners.The whole paper is divided into introduction and three chapters.The introduction mainly expounds the writing purpose of the paper and analyzes the research significance and research status of the four rhapsody.The first chapter briefly combs the composer's creation characteristics and the creation background of his works.Based on the characteristics of Semyonov 's works,the background of his works is further introduced.Finally,combining the creation background of the work,it paves the way for the next specific analysis.The second chapter makes an in-depth study of the works,starting from the two aspects of musical structure and musical characteristics of the four works of "Estonia rhapsody","Lithuania rhapsody","belarus rhapsody" and "Ukraine rhapsody".This paper makes a comprehensive analysis of the musical form from the aspects of tonality,harmony and rhythm of texture in each part of the work.Then,the specific presentation of the music nationality in the work is further analyzed to summarize the basic creation techniques of the work and summarize from the aspects of music thinking and multi-voice melody writing.So as to help us understand the creative thinking of the work.The third chapter mainly explains the bayan technique used in the performance of the work.This paper makes a detailed explanation and analysis from three aspects:transposition and shaking bellows,stress and accent,and grace note.I hope more accordion players can get some useful inspiration from it.The conclusion,from the perspective of the author's own playing experience,elaborates some thoughts brought by this work to the author,so as to help the majority of accordion colleagues to better control Semyonov 's other accordion works and make some modest efforts.