A Probeinto The Practice Of Tao Gui Copy Process In The Dawenkou

This article takes Tao Gui in the Dawenkou culture period as the research object,and selects Tao Gui in the middle and late stages of Dawenkou culture for replication and exploration.During the period of Dawenkou culture,the pottery was complicated in shape,bright and beautiful in color,unique in prehistoric pottery,and also known as the "standard stone" of prehistoric culture.The highest level of pottery craftsmanship during the Dawenkou cultural period.However,there are few studies on the production process of Tao Gui.Therefore,the author has been devoted to the protective research of Tao Gui.During his postgraduate period,he has consulted a large number of documents and related works,and has made in-depth observation and exploration of the actual objects.In order to better understand and grasp the pottery craftsmanship of prehistoric humans,the author decided to replicate the pottery by hand molding.In the process of copy,we constantly explore prehistoric craftsmanship and sum up experience to improve our ability in repair and protection.In summary,the author has determined the research direction,exerting his strengths in modeling ability,skilled ceramic skills and understanding of the characteristics of soil,etc.,with the measurement and calculation of shrinkage rate,trying to reproduce the works closest to the original charm To make your own contribution to the reproduction of cultural relics.This article explores the selection of mud,production process,modeling characteristics,firing method,and old process,etc.,and details the process and method of Dawenkou cultural white pottery replication.The replica must not only be consistent with the original in appearance,but also reflect the epoch characteristics or social functions of the original,and strive to adopt the original technical methods and work processes to maintain the essential form and processcharacteristics of the cultural relics.