A Study On The Changes Of Female Image In The Development Of Chinese Watercolor Painting In The Past Century

Since ancient times,the female image as the carrier of painting works everywhere,women with its unique charm and charm to attract many artists to linger over the creation.Throughout the history of Chinese art,female image has long been one of the main subjects of Chinese painting.From the republic of China to the present,works depicting female images have not only been fully reflected in Chinese paintings and oil paintings,but also blossomed with the continuous changes of The Times and the transformation of aesthetics and ideas in the 100-year development process of watercolor paintings.Through the analysis of the century-old development process of Chinese watercolor painting,this paper discusses the different spiritual outlook presented in different times with the female image as the carrier,and then analyzes the aesthetic tendency expressed by the female image in watercolor works.The full text is divided into four parts,the first part discusses in detail the features and changes of modern and contemporary China's typical female images,a period of five different segment of this part,respectively,the period of the republic of China female image,transition,and explore the socialist construction period female image,the cultural revolution female image,the early stage of reform and opening to the female image and the image of women in the new period of reform and opening-up.the period of female images in contemporary China,the different periods of the changes of female images are not the single change of aesthetic symbol,also tend to represent the force of the development of a society level,the degree of civilization and ideology;The second part makes a detailed analysis of the evolution trajectory of female images in Chinese watercolor paintings and discusses the social development reflected by the watercolor works with female images in different periods.The third part of the chapter and verse,from Hang zhiyin,Zhuang hongxin,LiuYi and Jie yuan fang four typical female images in the works of artists try to talk about the above two parts.The fourth part,from the ideological,political and cultural influences,the influence of the development of watercolor painting and the influence of the painter himself,analyzes the reasons for the changes of female images in the development of Chinese watercolor painting in the past 100 years,so as to try to explore the development direction of female images in watercolor painting.Based on the collected data as the background,the research comparing the female images of different time period,an open attitude towards art,tries to put forward a kind of equality that art attitude is not a simple appreciate or enjoy alone,is each of us should have the concept of the present society,namely the female image at the same time,special attention from which reflect and understand the world and the change of the society,which as a special media transfer information.At present,there are many literatures discussing and discussing the inner monologue of female painters and their comparison with the works of male painters in China.I am from two aspects of ideas and images as a breakthrough point,combed from different periods of female images and female images in the watercolor painting works,put forward different ways of viewing Angle and hope to discover some female images with the time change,cutting the causes,and to find its regularity,so as to guide the viewer focus on women inner real thoughts,pay attention to their ideological dimension,on the stage of Chinese watercolor glow vitality.