Image Of Lahu Nationality In Lancang County A Study Of Cultural Interpretation And Construction

China has a large number of nationalities,and each nationality has its own unique culture.Today,with the high level of social and economic development,there is a crisis of loss of some national cultures.Therefore,the value of minority images has gradually become prominent.With the continuous acceleration of digitalization,rich media platforms have constructed different ways for the presentation of national culture.For a long time,the Lahu nationality in Yunnan has demonstrated unique cultural characteristics through different media in different historical periods,and has constructed distinctive cultural images.More importantly,these national images are indispensable for the economic development and cultural heritage of Lancang area.The role of measurement.This article takes the Lahu people in Lancang County,Yunnan Province as the research object,and focuses on the "cultural presentation in minority images" and "how is the cultural construction of Lahu images carried out" in the media context.Autonomous counties conduct field surveys and research.This article is divided into five parts: The first part sorts out the Lahu ethnic images in three stages from the "New China Period" to the "New Period" to the "New Century",briefly explaining the specific background of each period And style characteristics;the second part is the analysis of the collected Lahu images,and the overall content of these images generally presents three characteristics of typical regionality,local government dominance and national elite consciousness;the third part details The cultural manifestation of the Lahu national image is expounded,which is mainly reflected in national beliefs,folk customs and traditional songs and dances.These are exactly what the subject of image creation wants to present and express.The fourth part discusses the way of Lahu people through images.Carried out a series of cultural constructions from three perspectives of totem worship,emotional expression and national personality,and analyzed specific images;the fifth part is a summary of the full text,a realistic discussion of the Lahu images in the context of media,and Rethinking issues that arise in the development of imaging.In short,national images are affected by the background of the times,social reality,and economic development.While recording national culture,the cultural connotations presented and cultural constructions are different.Lahu local governments,cultural elites,ethnic masses,and tourists who come for sightseeing.These creators of different cultural standpoints use video to express their aspirations.The subject of national image production and its representative forces determine or influence the national image in different stages from its own perspective,and the corresponding works also reflect the periodical characteristics of the social and historical process.