| The Piano is the king of the western musical instruments,but now it has gone hand in hand with the traditional Chinese music.Although the piano has not been introduced to China for a long time,it has developed rapidly through the efforts of many excellent composers in our country for many years,he has created many excellent works in various genres.In these excellent works,the composers not only absorbed and inherited the excellent traditional music culture of their own nation,but also learned the western composing techniques,showing the development trend of blossoming.In this paper,I have selected two Chinese piano works,"Peking Opera Moment" and "Pi Huang",for analysis,first of all because they are two very classic Chinese works with elements of Peking Opera,and Qigang Chen's "moments of Peking Opera" is a required piano solo in the "Messiaen International Piano Competition",while Zhang Chao's "Pihuang" won first place in the first "Paranu Cup" Chinese music competition,these two works are not only the masterpieces of Chinese piano works,but also a new fire on the world stage.Secondly,the author's creation in moments of Peking Opera,which combines elements of Peking Opera with modern Western techniques of composition,is a bold attempt,while in Pi Huang,the author adopts a more traditional and changeable style of composition,therefore,these two works have their own characteristics.This paper explores the creation and application of Beijing opera elements in these two works,hoping to provide some textual materials for the future piano works in China.The frame and structure of this article are as follows: Chapter one: the meaning and main characteristics of the elements of Beijing Opera Chapter two: The musical structure and the application of the musical elements of Beijing Opera Moment Chapter Three: the musical structure and the application of the musical elements of Pihuang Chapter four: problems and performance problems in using elements of Peking Opera. |
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