Musical Trends Of Thought In The Renaissance Of Modern Chinese History

The essence of the musical trends of thought in the Renaissance of modern Chinese history refers to the musical thoughts with Chinese characteristics formed by the collision of Chinese musical culture and Western musical culture under the specific historical background in the early 20 th century.That is,the introduction of western music with China as its main venue.The author will study the evolution of Chinese musical trends of thoughts during the Renaissance,and discuss how Chinese music developed? How to carry out cultural watch and Renaissance? It is of great significance to explore the evolution of music thought in this stage for promoting the research of modern Chinese music culture,promoting the development of Chinese national music culture and the communication of Chinese and foreign music culture.The word "Renaissance" is a popular discourse in the Italian Renaissance from the 14 th to the 16 th century.It is a famous ideological and cultural movement in Europe,leading the direction of development in various fields in Europe and well known in the world.In the historical process of China,there is also the period of "Renaissance".At the beginning of the 20 th century,Chinese scholars carried out theenlightenment movement under the situation of national crisis,which provided important ideological support for the rejuvenation of the Chinese nation.Liang Qichao,Hu Shi,Cai Yuanpei and others gave the movement the label of "Renaissance".They defined the movement with "Renaissance" and defined it as a kind of social culture and metaphor.It can be seen that "Renaissance" has the same important historical status as "Marxist Philosophy".Therefore,in the early 20 th century,the musical trends of thought under the background of "Renaissance" in China has important research value.Starting from the background of the development of modern Chinese history,this paper divides the development process of musical trends of thoughts into three different periods: the late Qing Dynasty,the early 20 th century and the 1920 s,which are respectively divided into three stages:Inheritance and development,absorption and communication,development and innovation.This paper analyzes and discusses the development process of musical trends of thoughts in the "Renaissance" of modern China from various aspects and angles,emphasizes the extension and development of Chinese music as the basis,and expounds the cultural watch and Renaissance in the early 20 century.For the research of this subject,the author will make a comprehensive analysis from the perspective of music history,music aesthetics and philosophy.From the perspective of diachronic and synchronic,this paper uses themethod of combining the history of thought and the history of music to sort out the vertical historical clues and the horizontal changes of music,that is,to elaborate on the interlacing of the vertical development of modern Chinese history and the horizontal form of Chinese music.The paper is divided into three chapters: Chapter one "the background and motivation of the" Renaissance "musical trends of thought in modern China" : it analyzes the background of the collision of modern Chinese and western music culture thoughts,and the internal and external motivation of the formation of the Chinese musical trends of thought in this context;Chapter two "the development process of the" Renaissance "musical trends of thought in modern China" : in order according to the horizontal calendar The order of historical development makes a detailed analysis of the development of musical thoughts in the late Qing Dynasty,the early 20 th century and the 1920 s.Chapter three "cultural watch and Renaissance in the early 20 th century musical trends of thoughts" : the cultural watch and Renaissance in the Chinese musical trends of thought are explained from the perspective of the national quintessence musical thoughts and the national music improvement thoughts.It also affirms the positive significance of the musical trends of thought in the historical background of Chinese Modern Renaissance to the development of music in the future.