A Study On The Custom Of Believing In The God Of Treasure In Hezhou

For many outsiders,the treasure god belief is a strange concept.The beliefs and customs of the God of Wealth are mainly distributed in the Linxia Hui Autonomous Prefecture of Gansu Province and the neighboring Qinghai Minhe and other regions.It is a rap art form formed based on the belief of the folk God of Wealth.It is performed in the first lunar fire event and other specific occasions.The prayer direction is clear and unique in form,and it is still alive today.Linxiazhou 's Yongjing County 's wealth,treasures,and traditions have a long history and typical live forms,simple appearance,simple instrumental accompaniment,fixed music melody,random singing on the scene,and singing and dancing performances,vividly conveying the local people.The belief pursuit,life ideal,ritual experience and entertainment mentality.In recent years,folk treasures and beliefs have been widely concerned by the cultural and academic circles.Some achievements focusing on field surveys,choreography and process description have been published one after another,making up for the gaps in academic research.Based on the investigation and collation results of local cultural scholars,this article takes Yongjing County's treasure god beliefs and customs as the center,uses anthropological context,performance,ritual symbol and other related theories to analyze and explore the wealth treasure god beliefs in Hezhou area in different fields.Performance form and people's cultural psychology,reveal the national spirit behind the performance ceremony,and then think about the development of folk faith and customs under the background of non-legacy.This article starts with the cultural and geographical environment of the God of Wealth,analyzes the reasons for its formation,explains the formation and inheritance,and gives an overview of this belief and customs as a whole.Furthermore,using the anthropological context theory as a guide,the detailed process of the unique performance process,form,singing situation and other specific processes in the different fields of the fire,marriage and funeral of the treasure gods and faith activities in the social fire,marriage and funeral,etc.Show the basic performance of the treasure god's faith and customs.On this basis,the use of performance theory and ritual symbol theory to analyze and explain the national blessing psychology in thebelief of the treasure god,the people's rewards under the fire field and the spiritual transcendence of the group under the ritual symbol.Finally,based on the cultural changes of folk beliefs and customs,the status quo is inspected from the perspective of non-legacy,and the modernity of the god of wealth and other folk beliefs is considered overall.