Study On The Identity Dilemma And Identity Construction Of "Female Migrant Workers In The City" In The Film And TV Works Since The New Era

With the clarion of the reform and opening up,modernization and urbanization are in full swing in the ancient Chinese land.At the same time,a large number of rural people flocked to the city and invested in this "national action" concerning national rejuvenation.At the same time,A new class——migrant workers quietly stepped onto the historical stage.Under the interpretation of the power discourse,the rural and peasants were demoted and exiled.Therefore,entering the city as migrant workers means confronting power,which also means replacing the dwarf peasant identity and re-constructing the identity as the main body of migrant workers.Meanwhile,as wowen among them,“Female migrant workers in the City” must also directly challenge the patriarchal culture.They get rid of the family control and the attachment to the men.Entering the city is the beginning of their self-individualization.Being “Female migrant workers in the City” is a new process of subject construction.However,this subject is unable to take rootin the city,there is no space for their speeches,and their subjectivity is blurred in the identity of non-citizen and non-farmer,citizenand farmer.Therefore,it is also a long-lasting and difficult struggle to become “female migrant workers in the city".Since the new period,film and television works reflecting the survival scenes of “female migrant workers in the city" have emerged.They use the film and television lens to artistic reproduce the identity construction process of the emerging subject of “female migrant workers in the city".This thesis selects relevant film and television texts,firstly analyzeing the spatial representation of the survival and identity of “female migrant workers in the city " and the ideological relationship behind the space writing from the perspective of space,and thus getting conclusion that the spatialization of identity of “female migrant workers in the city" in film and television works."female migrant workers in the city" are squeezed and marginalized in the urban survival,culture,consumption,gender and other spaces,and their subject identity is also in crisis;Secondly,this thesis combinies with the film and television works to shape the image of “female migrant workers in the city ",analyzing the identity writing behind the image;and thus found that the film and television works have a stereotyped tendency to the image creation of the " female migrant workers in the city ".And the film and television works through the classification of the image to establish the ideal image and the opposite image of the " female migrant workers in the city ",thereby embedding invisible ideological writing.Then,from the start of defending the integrity of the subject and reinventing the intention and practice of identity of “female migrant workers in the city",this thesis sorts out the identification reconstruction mode of “female migrant workers in the city "in the film and television works— they may strive to become " urban people " or return to peasant status,etc.Under the existing conditions," female migrant workers in the city " strive to seek the meaning of identity.Finally,with the perspective of the article and the outside of the article,this thesis gets an arerial view of the intergenerational transformation and the image writing transformationof the “female migrant workers in the city".In the article,the identity of the "female migrant workers in the city " changes quietly with the changes of generations and the changes of the times.The image writing of " female migrant workers in the city " by the film and television works has also changed constantly with the changes of the times.