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Research On Exhibition Space Design Based On Cinematic Architecture

Posted on:2020-10-16Degree:MasterType:Thesis
Country:ChinaCandidate:A N CaiFull Text:PDF
GTID:2415330626951206Subject:Design
Abstract/Summary:PDF Full Text Request
In the era of highly developed information,the function of display space is constantly expanding,challenging people's cognition,and the practice and exploration of display space design with new technologies such as AR,VR,artificial intelligence and other technologies as support technologies emerge endlessly.The display space is similar to the movie.It is also a visual-oriented visual medium.It is a space place that accommodates the exhibition activities.The ultimate goal is to deliver information to the audience and guide the visitors to have a better immersive experience in the space.The involvement of new technologies in the exhibition space,coupled with the shift in the aesthetic taste of the public,has given birth to a new aesthetic orientation and form of public viewing.Since the era of technology-driven trends may cause the public and designers to fall into a one-sided understanding and design of the exhibition space,it is necessary to respond to the use of emerging technologies in the exhibition space by introducing artistic thinking in different fields.The design is reflected.There is no lack of interdisciplinary research in the exhibition space,but it is based on the theory of film narrative and montage.It is mostly borrowed from the concept of film,or through the montage of film to achieve spatial form.change.This article starts with the field of "movie architecture",and the film-oriented thinking is the starting point to study the exhibition space,and hopes to expand the possibilities of the exhibition space associated with film architecture and film.In the context of the ever-changing digital technology,try to explore the more artistically appealing design methods of display space.Under the framework of film architecture,this paper takes the relationship between people,exhibits and space contained in the space design as the research object,and analyzes the embodiment of the cinematicization of display space design.First of all,this paper briefly analyzes the cross-domain discussion of film and architecture,and then introduces the concept of“film architecture”,sorts out the development of film architecture,and then compares and analyzes the characteristics of film to systematically construct the construction methods contained in film buildings.Secondly,the relationship between the characteristics of the exhibition space and the construction dimension of the cinematic architecture is analyzed,and the characteristics related to the exhibition space and the film architecture are systematically discussed.Then,based on this,the author uses the film language to conduct research on the author.The case carries out an in-depth analysis of the movement,narrative and spiritual dimensions.By comparing the differences and discovering their commonalities,the design method of the exhibition space from the perspective of film architecture is derived.Finally,the systematic interpretation of the exhibition space design project participated during the postgraduate study.From the perspective of the emerging research field of film architecture,this paper draws on the interdisciplinary research method of the predecessors,uses the cinematic thinking,analyzes the movement,narrative and spiritual characteristics with the film,and explains the movement construction,narrative construction and spiritual construction of the film architecture.Combining the theories of cognitive psychology and phenomenology,the author focuses on the perceptual and experiential experience of human beings to explore the cinematic features in the exhibition space,and use the dynamic view of the film and the terminology of the film to try to interpret the display space design.The relationship between people,things and space,through this paper,attempts to explore the trend of contemporary display space design,and concludes the design method of film space based on cinematic architecture — — dynamic design and dematerialized design.To construct the influence on people's perception and experience in the exhibition space.bush.I hope that the research results of this project can respond to the new technologies derived from technological changes in the digital age,provide a bridge for artistic combination of display space and new technologies,and provide new ideas for the study of film architecture.The film design method provides a certain reference value.
Keywords/Search Tags:exhibition space, cinematic architecture, cinematic, aesthesia
PDF Full Text Request
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