A Comparative Study On The Accompaniment Music Of Siming Nanci And Ningbo Sizhu

Siming Nanci is a folk art in Ningbo,which has more than 300 years.because of its rhetorical language and emphasis on tonality,it was famous in the elite with the reputation of "Nanci into Elegant Palace".The performance form is that the artist plays Sanxian by himself or accompanies by a variety of instruments,such as Sanxian,Pipa,dulcimer,Erhu,Xiao.The accompaniment music is characterized by "polyphony of branching tonality".When the vocal performing,each instrument support it,show its own characteristics under the same melody.Different performance techniques are used to make the horizontal melody plump in the vertical direction,forming the sound effect of multiple color superimposition.Ningbo Sizhu is closely related to Siming Nanci.The music comes from the instrumental music of Siming Nanci,and the composition of instruments is almost the same.The accompaniment of Siming Nanci has a certain impact on Ningbo Sizhu.It can be said that Ningbo Sizhu is separated from the accompaniment of Siming Nanci and become independent.In this paper,the Siming Nanci and the Ningbo Sizhu is the main research object,and the development route from the folk art to the instrument is the clue to explore the accompaniment technique of Siming Nanci,find the correlation between the perform technique and sizhu,and choose Siming Nanci and "Tianyi" sizhu club as the field object: To investigate the current development situation and to explore whether they are still tightly in the current development path.This paper will be divided into three chapters,Chapter one: the tracing of sizhu activities in Ningbo,mainly from the historical documents,explore the sizhu activities;Chapter two: congruence-Siming Nanci and its accompaniment music,from the vocal music,sentence,the ending note,accompaniment techniques and other aspects,aims to explore the characteristic of accompaniment,and summarize the techniques.Chapter three,separation-the current of Ningbo Sizhu and Siming Nanci,this chapter will mainly focus on the similarity of Ningbo Sizhu and Siming Nanci in music ontology,and sort out the development status of the two,find out whether they are still tight,and trigger some relevant thinking.