On The Pain Writing Of Zhang Ling's Recent Novels

Since the Aftershock,Zhang Ling tends to re write "pain" from a macro perspective.Her unique life experience and professional experience,as well as her high pursuit of art,add more details to her "pain" writing,which makes her change the construction of "warmth" Utopia and move towards a deeper observation and thinking of human nature.This paper mainly discusses the deep-seated malady reflected by the external historical disaster and disaster--the alienation of human nature and the oppression of traditional culture--from the reconstruction,examination and Transcendence of "pain" presented in Zhang Ling's novels,as well as the transcendence of characters in "pain".First,Zhang Ling's novels use the "Time-space" framework to present the physical and mental trauma caused by historical disasters and major events to the characters,and reconstruct the squeeze of disasters on the living space of the small characters from the perspective of individuals.Secondly,the narrative strategy of Polyphony and dialogue expresses the deeper "pain" of the characters,which mainly comes from the alienation of human nature and the oppression of traditional morality under the disaster.Third,through Zhang Ling's writing strategy of individual "pain" superimposition this paper explores Zhang Ling's purpose of seeking "extreme good" in "extreme pain",and analyzes the image of Yan,the tenacious and compassionate "virgin" from the light of resisting "pain" projected from unreliable narration,which shows that Zhang Ling's work overcomes "pain".Finally,through the analysis of the significance and dilemma of Zhang Ling's "pain" writing,it further analyzes the deepening of his literary creation by "pain" writing,which sublimates his creative concept and enriches his creative achievements,and the attitude of the characters in Zhang Ling's book towards "pain" also reflects the growth of her own soul;then it moves Zhang Ling's "pain" writing to the same period Yan Geling,a civilian writer,contrasts with others,highlighting the bright spot of Zhang Ling's "pain" writing and the embarrassing situation of repetition of subject matter and separation of times in her return to China's "pain" history.