Wushu Culture In The Traditional Operas Of The Yuan Dynasty And The Qing Dynasty

Although both martial arts and drama are different,they are homologous."?" and "?" are from "?" and "?" are attached to martial arts.In the long process of the development of drama,martial arts has played an irreplaceable role.The two are closely related and mutually infiltrated."18 martial arts" is derived from Hundreds of dramas.The drama began in the Song Dynasty and flourished in the Ming and Qing Dynasties.At the same time,the martial arts of the Song,Ming and Qing Dynasties prospered,but it is easy to ignore the Yuan Dynasty followed by Song Dynasty.Similarly,most scholars believed that the martial arts of the Yuan Dynasty are mainly dependent on Yuan Zaju to be retained and developed,and Yuan Zaju has an important influence on the expression of Chinese martial arts.Therefore,this article focuses on the martial arts culture in the Yuan Dynasty drama,and because the Yuan and Qing rulers are the same as the ethnic minorities who entered the Central Plains,and the internal environment of the two dynasties is similar,so the Qing Dynasty is chosen as the comparison object.Through the research,we hope to interpret the existing style of Chinese Wushu in the Yuan Dynasty and another way of its development thereafter.At the same time,we also seek the research basis for the similarities and differences of the development of Wushu culture between the Yuan Dynasty and the Qing Dynasty.This paper mainly uses the literature data method,cross research method,logical induction method and interview method to conduct research,summarize and analyze the existing research results.After sorting out,it is found that there are many plays about chivalry in some operas of the Yuan and Qing dynasties,among which "Water Margin" and "Three Kingdoms Opera" are the representatives.Therefore,the study first makes an in-depth analysis of the expression of "chivalry" in Yuan and Qing operas,and then explores the motive characteristics behind them,and finally draws the following conclusions:1: The expressions of Wushu culture in operas of the Yuan and Qing dynasties show some differences.The Yuan Zaju mainly expresses the spirit of " Xia" through lyrics,embodied in "Loyalty","Righteousness" and " Brave" and so on.The Qing Dynasty operas usually use some Wushu skills to express the high strength of Wushu,which is reflected in the diversity and difficulty of Wushu skills.2: The Wushu culture in the operas of the Yuan and Qing dynasties presented different performance characteristics.The characteristics of Wushu culture in the Yuan Zaju are expressed in the interior,namely martial virtue;the Wushu culture in the Qing operas is mainly external,that is,Wushu skills.This has caused the difference in the scope of the two generations of Wushu culture.The transmission of martial virtue in the Yuan Zaju is the inner moral category of Wushu,and the Wushu skills embodied in the Qing operas belongs to the external skills category of Wushu.3.The birth of Peking Opera was a symbol of the maturity of opera martial arts in the Qing Dynasty.The drama martial arts gradually became "stylized",and the martial arts school also developed further,mainly in the representative of Peking Drama in the Northern martial arts and the Cantonese drama in the South martial arts.