Research On The Calligraphy Of Song Huizong

Song Dynasty art occupies a special position in the history of Chinese art.After thousands of years of history,Chinese art entered a period of great integration with the Song Dynasty.In the past,the study of the history of the calligraphy of the Song Dynasty had a strong bias,and the attention paid attention to the creation of the Song Dynasty.The achievements and status of the song and four families are of great importance in the history of calligraphy,but this does not mean that it constitutes the whole history of the calligraphy of the Song Dynasty,and does not mean that the other calligraphers in the Song Dynasty are weak,especially for the " The Shoujin Character" of the Song Hui Zong,which has not been given enough attention by the academic circles.The study of the history of calligraphy in Song Dynasty has gradually reached a relatively balanced state.Therefore,this article focuses on many aspects of the " The Shoujin Character" creation,and temporarily reexamines the calligraphy of Song Hui Zong from a purely artistic point of view,and gives a more objective evaluation of its position in the Northern Song Dynasty and its promotion of calligraphy development and collects and studies the calligraphy works of the song Hui Zong.Song Huizong's calligraphy,textual research,authenticity and circulation.