He Shaoji's Calligraphy Achievements And Its Influence On Calligraphy In The Late Qing Dynasty And The Early Republic Of China

In the Qing Dynasty,for the aesthetic transition period,the calligraphy art at this time gradually changed along with the appearance of the aesthetic consciousness of the tablet study,and eventually formed a different theoretical system of the tombstone than the traditional one.From the perspective of the history of calligraphy,“tombstone learning” is undoubtedly a milestone in the development of calligraphy in the Qing Dynasty.The “North and South School Theory” and “N orthern Beiting Theory” of Ruan Yuan first clearly divided the Chinese calligraphy into two major Factionalism,which is the symbol of the formation of the aesthetic thought of the tablet study in the Qing Dynasty.He Shaoji,with his unique calligraphy creation,has enriched the practice of tablet steleology and has become an important figure connecting with the people,especially in the Xianghu region.Among them,Zeng Xi and Li Ruiqing,who are known as “Southern Zeng Bei Li,” are influenced by He Shaoji in scholarship and calligraphy skills.They absorb He Shaoji's view of rubbings and learn from He Shaoji's “cantilever back to wrist”method,but they do not No hard-to-wear,but combined with his scholarly thinking,formed his own style of writing,has had an impact on the Republic of China and even modern and contemporary calligraphy,which is a manifestation of the inheritance and development of a period of Chinese calligraphy history.