Research On The Method Of Expressing Huaxian Shadow Puppets With Stop Motion Animation

Shadow art is one of the traditional art forms in China,and was selected into the"representative list of intangible cultural heritage of humanity" in 2011.Shadow art has distinctive Chinese characteristics and Chinese flavor,and shadow art is integrated with different regional cultures in the long-term inheritance and development,with distinct regional features.Gu jiegang thinks "the birthplace of Chinese shadow shadow is shaanxi".County shadow play,as the representative of shaanxi shadow play,unique style,and name the country,reflects the profound cultural details in guanzhong plain,deep shadow play art lovers,to create "the tour of west lake","which Cha make the sea","GuChengHui" and other classic.However,with the rapid development of science and technology,various new recreational activities are becoming more and more abundant,and shadow art is gradually away from the audience's view.In addition,due to the fading of shadow puppetry artists,the shrinking of the audience market,the inheritance of shadow and the innovation of repertory have also been brought to a standstill.And the development of digital animation technology has brought new vitality to this traditional art form.In fact,in 1941,Chinese animation pioneer wan brothers attempted to incorporate the elements of shadow in the classic works "princess iron fan".In 1955,according to the adaptation of the zhongshanLang Zhuan animated short film "master dongguo and the Wolf' released in China,the film to absorb the essence of the art of shadow play,adopt the form of shadow play,a success.1980 shadow play animation works,"zhang fei on the melon" release,the film skillfully fuses shadow play arts and Peking Opera mask design elements on the character modelling,the traditional story to design new deduction and impressive.In recent years,traditional culture has received more and more attention,and many animation designers have tried to integrate the essence of national traditional culture into their works.One of the highlights is the combination of shadow art and digital media technology,creating many excellent shadow animation works.In 2006,the emergence of "peach blossom source",a domestic shadow animation work,gave us a new sense of the combination of shadow art and digital media technology.The main part of the film is made by computer 3d design,which integrates the elements of shadow,ink and other traditional folk art,and has a unique aesthetic feeling.This work has won many domestic and international animation awards.At present,many domestic and foreign animators have tried to combine shadow art with digital media technology,and many excellent works have been produced.But most filmmakers scan the image of a shadow character and then make it in two dimensional software or synthetic software.There are also a number of creators who use 3d modeling software to create a 3d shadow character model,then bind the skeleton to the role in the software,and manipulate the bones to realize the animation creation of the role action.These attempts promote the integration of shadow art and digital media technology,enrich the traditional elements in animation creation,and facilitate the inheritance and promotion of shadow art.However,it is rare to see the combination of photography and shadow art,so the author makes such an attempt.Through frames taken with digital media technology reduction shadow play classic"three dozen bones jing",realize the shadow play animation art style innovation,broaden the shadow play the animation path,the protection of intangible cultural heritage,inheritance and innovation are of great theoretical and practical significance.