Interpretation And Command Study Of The Score Of The National Symphonic Poem "Ambush On Ten Sides"

National symphonic poem<Ambush on all sides>is a large national symphony which is created byMr.Liu Wenjin and Mr.Zhao Yongshan,according to the pipa"Ambush on all sides" Composerhas referenced the music of "Ambush on all sides",and the music is reinterpreted from the perspective of the National Symphony.This national symphonic poem was created in May 1979 and it was first performed by the Hong Kong Chinese Orchestra in 1980,it was named as 'the most popular Chinese music work of 20th century' by music lovers in Hong Kong in 2003.The national symphonic poem<Ambush on all sides>is a large national music,with a total of 43 musical instruments and even more than 20 percussion groups.It covers almost all ethnic instruments,each part of the work is perfectly formed,so that it has a full harmony effect.The whole song is composed of seven musical paragraphs with descriptive subtitles,it reproduces the scene of the prewar preparation,battlefield fighting and victorious return after'the battle of Gaixia 'from the perspective of the Han army.The article takes the 2011 National Symphonic poem<Ambush on all sides>as an example,and it takes the audiovisual materials of the Hong Kong Chinese Orchestra conducted by Mr Yan Huichang in 2008 as the object of sound analysis,this paper makes an in-depth study on the creation,orchestration,performance and sound effects of the works.After making a comparative analysis of the original material music of the pipa<Ambush on all sides>,the author thinks that the symphony<Ambush on all sides>and it greatly enriches the music content of the pipa and it doesn't lose the style characteristics of the original pipa.For the conductor,there are great challenges in the aspects of the national music flavor,rhythm,speed and so on.The author analyzes the difficulty from creation,orchestration and performance of the National Symphonic Poem<Ambush on all sides>by the perspective of command,and also makes examples for analyzing,phrasing,paragraph division by the point of view of command and composing.The problems of intonation,timbre and fusion in performance are combined with orchestration and this paper aims to study the creation and command of the symphony "ten facets" by exploring the intention of the works.The author attempts to elaborate on the following aspects:First,it elaborates the reason for the writing of the paper and compares relevant documents;secondly,based on the analysis of the musical composition and melody characteristics of the score,based on the division of the command,it is combined with the command.Difficulties are discussed comprehensively;then the author analyzes the three major musical elements of the work,and further studies the command of the work by analyzing the musical rhythm,pitch,and timbre of the score;and finally,exploring the texture and the orchestration of the score.The best volume ratio and acoustic balance relationship among the national band's instrument groups.