From Liu Qing To Lu Yao: The Evolution Of Realistic Creation And Its Current Enlightenment

Liu Qing and Lu Yao are two important realistic writers in Chinese contemporary literature,and they have a succession relationship in their creation.In the current research on the relationship between Liu Qing and Lu Yao,most researchers focus on their personality spirit,their creative consciousness,their characters' portrayal,and their detailed description,psychological depiction and other aspects of differences and similarities to elaborate Lu Yao's inheritance and transcendence to Liu Qing.The comparative study of these articles are comprehensive,but there are two common problems:first,the mining of the text is not deep enough,the other is that there is a tendency to compare for the sake of comparison,and they do not look at the two from a higher angle.Therefore,in the study of the creation relationship between the two,this article first penetrates the text and explores the inheritance and transcendence of Lu Yao through a detailed text reading.Secondly,taking the creative experience of Liu Qing and Lu Yao to observe the existing problems of the present literary creation,and to explore the significance of the traditional realism in the present.Because realism is a very broad concept,in order to make a clearer contrast,this article starts from the perspective of realistic creative methods and realistic literary spirit,explores the creative relationship between Lu Yao's inheritance and transcendence between Liu Qing and Lu Yao.It is also from these two perspectives to explore the implications of traditional realism for contemporary creation.The text of the article is divided into three chapters.The first chapter looks at the relationship between the two from the perspective of realistic creative methods.First of all,in terms of creative methods,both are writers who write on "Eat through life." The difference is that Liu Qing's "occupation" of life is mainly concentrated in the countryside,Lu Yao has expanded from the countryside to cities,coal mines,this creative way ensure that their works in the details of the description of the truth;secondly,in the modeling of the typical.They all follow the traditional realistic creative method of "portraying typical characters in typical environments",but the typical characters written by Lu Yao have more universal social significance because of the lack of ideological pressure.Third,on the detail description and the psychological characterization,they all show the vivid description of detail and the fine carving of the psychological world of the characters.As Lu Yao took off the political filter on Liu Qing' s eyes,as a result,he can choose various details to describe and explore the historical and cultural connotation of the details.In the psychological portrayal,Liu Qing shows the political psychology of the characters in the cooperative movement,while Lu Yao ' s performance is a more general life experience in the broad social life.The second chapter looks at the relationship between the two from the view of the spirit of realistic literature.First of all,their realistic literary spirit is reflected in the sense of social responsibility that concerns the great age.The difference is that Liu Qing's expression of the times is confined to the political framework,while Lu Yao only regards political events as the background,pushing directly to the front desk depicts the character' s mind.Second,their literary spirit is also reflected in the face of reality and the soul of the bottom man.Liu Qing expressed sympathy for the poor peasants,Lu Yao not only expressed sympathy for them,but also shared feelings with them.In terms of looking at the hearts of the peasants at the bottom,Liu Qing and Lu Yao both shows their tenacity and tenacity in their pursuit of a new life.The difference is that Liu Qing tends to look for the value of character struggle in the collective,Lu Yao pays more attention to the significance of the individual struggle of the character;third,Their literary spirit is also reflected in their pursuit of a warm writing,and they tend to regard the beautiful human nature as the intrinsic motive of the characters to overcome the suffering.However,Liu Qing's writing is unconscious,and more often than not politics takes precedence over human nature,while Lu Yao's writing of warmth shows a high degree of consciousness.From the perspective of the development of realism,Lu Yao's inheritance and transcendence of Liu Qing's literary experience shows that traditional realism still has a broad prospect of innovation.With the development of reality,it still has vigorous vitality,and all kinds of problems in the present literary creation can still seek the spiritual resources from the traditional realism to solve the problems.Therefore,the third chapter aims at the problems existing in the current literary creation,and discusses the inspiration of the traditional realism writing method and the literary spirit to the present.The first section discusses whether Liu Qing and Lu Yao's realistic creation methods can be used for reference in view of the creation of characters in the current creation of the image of the problem,to explore the realism of Liu Qing and Lu Yao.The second section aims at the lack of people's character in the present local literature to discuss the immediate significance of Liu Qing and Lu Yao's concern about the people's literary spirit;the third section aims at identifying the negative outlook on life in the current "bottom literature".This paper discusses whether the realistic literary spirit of Liu Qing and Lu Yao should be carried forward.