Research On Qin Yunwen Wadang's Aesthetic Thoughts

From the Qin dynasty unified the six countries to the Qin dynasty perish,in the process of occurrence and development of Qin moire eaves tiles witnessed the development of Qin society.The shape and form of Qin moire eaves tiles evolved and developed of the laws,reveals many problems about Qin moire eaves tiles aesthetic thought which include aesthetic culture,religious belief,cultural thoughts,ideology and social psychology Qin eaves tiles.Qin moire eaves tiles as a kind of in a special period of social and cultural phenomenon,which is both the spring and autumn and Warring States since culture thoughts convergent point,and the starting point of Han Dynasty and later cultural prosperity,plays an important role in the past history of the development of Chinese culture.Qin moire eaves tiles' generation and development with various regions folklore matters has a close relationship,and it was widely affected by foreign culture,reflects the aesthetic characteristics of blend and interconversion,with Qin eaves tiles and lacquer,as the representative of the handicraft culture in the development and integration process,promote the process of the Chinese national culture inclusive and comprehensive,to speed up cohesion and formation of Chinese national culture.Qin moire eaves tiles' pattern design,aesthetic experience,artistic conception and vivid,it shined through space construction,lively spirit and charm style,aesthetic form and other aspects,they all deepened cultural connotation of the moire eaves tiles,and made eaves tiles contained the picture and the symbol of full of aesthetic thought feature with the development of Chinese art continuously to enhance the internal the cultural vitality and centripetal force.The eaves tiles belong to the building blocks,with the construction of prosperity and prosperity,After Qin dynasty unified the six countries,all around the Chinese eaves tile patterns on the theme,shape and aesthetic experience,ideology,cultural forms are integration in Changan,the category of folk culture under the Qin tile pattern appeared the hitherto unknown development scene.The spring and Autumn Period Taoism throughout the world,it's philosophical aesthetic thought have a deep influence to eaves tiles,Qin moire eaves tiles aesthetic features in simple,thick,simple,and rough revealed the aesthetic culture,reflect the concept of aesthetic culture.Han bearing system of the Qin dynasty,the Han Dynasty made the aesthetic style of "great beauty"and "Minimalism" into its heyday.Compared with Qi,Yan and other mainland eaves tile,the development of Qin moire eaves tiles is more wonderful and full of cultural connotation and ideology has more significance and research value of history,and can more reflect nationality,age and regional characteristics of the Qin moire eaves tiles.Because of geographical reasons,Qin moire eaves tiles absorb some from western culture,religious theocracy is reflected in the eaves tile,past Chinese religion is always dependent on the secular regime,as the rulers of the tool,the relationship between art and religion is the art of religion.The pre Qin period,some concept of Western art into the Qin Dynasty after the Romans,more in line with the concept of Chinese aesthetic culture,become a part of China art.Qin moire eaves tiles as an architectural decoration theme,in the development and evolution of the moire embodies the continuation and evolution of religious ritual practices,moire as Qin eaves tiles decoration,which is the pursuit of the society,and the result of human spiritual experience,aesthetic consciousness and cultural consciousness development.Mr.Li Zehou said "decoration"is the spirit of the production,the product of ideology"?.Throughout the development process of China eaves tiles art,can be seen on studying Qin moire eaves tiles aesthetics,on the one hand was studying the relationship between ideology and political system of social beauty of craftsman aesthetic consciousness and social cultural psychology device and the culture of Qin moire eaves tiles and Qin culture art,was the relationship between ware and culture.On the other hand was studying the relationship between Qin moire eaves tiles with the strong of national imposing manner,the muscular of national courage,the roominess of Cultural atmosphere,the great beauty of the aesthetic tolerance,the "great beauty"of one country and one society is often put into secular life in the "beauties in things",was the relationship between ware and aesthetic,also was aesthetic space of the Qin moire eaves tiles aesthetics.Which is exactly what based on this idea of study,this paper explores the Qin moire eaves tiles beauty which stood up on the shoulder of predecessor,studied summarized cultural meaning,aesthetic characters,and Impact on an of Qin moire eaves tiles aesthetics.The research and summary of Qin moire eaves tiles aesthetics,which could help to explore moire aesthetic cultural heritage and development of the future,and which have important guiding significance to design aesthetic reconstruction of the contemporary moire pattern.This will contribute to the development and inheritance of the Chinese traditional culture.