Research On Mao Qiling's Music Thoughts

The research on music is mainly reflected in rites,music and poetry.At the beginning of the qing dynasty,MAO qiling had a number of questions about ritual,music and other issues.In the chapter of "the music of music","musical instrument is not music","music is not music","music is not music","music is not the ancient and modern" and so on,it is to be criticized by the former,and it is to be used as a reference to the ancient music of the ancient music.In this chapter,MAO qiling is aiming at the scholar's attitude towards elegance,and criticises the trend of the scholars in the ancient times,criticises the attitude of the scholar,and focuses on the phenomenon of the present person,and is sure that music exists in real life,especially the vulgar music.These thoughts were to clean up the haze in the area of music in the early qing dynasty,and to light up the innovation torch of music thought.MAO qiling has his own opinions on the research of poetry and music.MAO qiling thought that three hundred poems were in music,and he studied the wind,elegance and song of the book of songs.MAO qiling retorted zhu xi,and put forward some viewpoints of sheng poetry,such as poetry,poetry,etc.,and explained it in detail.He thinks that the sheng poem is a word,not the sheng poem that zhu xi thought,but for some reason lost;Moreover,he made a strong criticism of zhu xi's sexual poetry with the view of zheng sheng.The poem is different from the music,and the poem is expressed as an expression of emotion,which needs to be expressed by music,but the poem is different from the original meaning of music.The combination of MAO qiling's thought and music thought makes his thoughts more unique and valuable,which has great influence and value on the study of music history in China.