Research On Lao She's Lyrics And Crosstalk Creation

In the early days of the founding of the People's Republic of China,Lao She changed his past style and turned the main creative fields from novels to dramas and folk arts.In his life,he created more than 60 melody works such as drum lyrics,rappelled lyrics,Taiping lyrics and comic dialogues.He also served as the editor of the most important popular literary journal "Speak and Sing" after the founding of the People's Republic of China.At that time,Lao She was a very important creator and reformer.This article will use Lao She's lyrics and comic dialogues as research objects,and review and study his contributions in the field of folk arts from these two aspects.The first chapter mainly discusses some laws followed by Lao She's lyrics writing.First of all,in terms of theme selection,Lao She used small techniques to reflect the current social status and social psychology.Secondly,for the shaping of characters,Lao She used rhetoric,detail descriptions and other literary works that are commonly used,and used "links" to create suspense,"haiku" and other syntax to shape the characters.The last is the study of the language features of Lao She's lyrics.His lyrics are both rhyming and flat.The language of the lyrics is concise,concise,simple and elegant,and it truly achieves both appreciation and popularization.The second chapter takes Lao She's comic dialogue as the object of study,and focuses on the types of Lao She's comic dialogue,artistic features,and the innovation of old comic dialogues.First of all,he explores his narratives,cross talks,and cross talks.The second one is to discuss the compositional tactics of burden in his cross talks.At the end,the article analyzes the era significance of Lao She's comic dialogue.He inherited and developed the traditional art of cross talks,and at the crucial moment he saved the old comic dialogue in the dire situation and returned to the stage of folk art.