The Cultural Memory Weaving Of The Stage Folk Dance "Lei Gongyou Red Earth"

This paper makes an exploratory study on the choreography of folk dance on the stage.With the theory of "cultural memory" as the key word,it elaborates the creative practice of the original work " Lei Gong bless the red land " and tries to put forward the word "memory weaving".The theory of practice set jointly demonstrates the creative thinking of the transformation from traditional folk dance to stage folk dance.The choreographer "weaves" folk culture,body vocabulary,artistic aesthetics and other memory clues into the dance,extracts the content and form of traditional folk dance,and USES the creative idea of "expressing the meaning first" to write the conceptual orientation,contemporary appeal and realistic value of stage creation.For the future study of Chinese folk dance leave clues.