| In June 2002,the reform of the cinema line system in China leveraged the terminal link of the Chinese film industry,and the marketization of films gradually entered the right track.After China's entry into WTO,it has also accelerated the process of internationalization of the film industry,which not only promotes the development of film types but also promotes the in-depth integration of "anti-type" in domestic films.A large number of directors have begun to boldly innovate and subvert under the framework of types.However,in the domestic film theorists,there is still a lack of review and interpretation of domestic anti-genre films,and anti-genre research has not formed a systematic system.To have a comprehensive understanding of the generation,performance,and motivation of anti-type movies,and to clarify the current situation and role of anti-type movies in domestic movies,has guiding significance for film creation,but also has an important reference value for the production,distribution and other links of the film industry.This paper will analyze the anti-type of domestic movies from three aspects.The first part is to sort out the development process of film types and anti-type,and select representative domestic anti-type movies as the research object.The second part lists the anti-type performance characteristics,which are divided into two dimensions: vertical and horizontal.Longitudinal is the common performance paradigm,while horizontal is the anti-type characteristics of different types of films.The third part analyses the anti-type from the micro and macro levels combine the micro level with the film psychology and explores the rationality of its existence.The macro level is to discuss how to apply anti-genre to domestic movies.Through multi-disciplinary and multi-angle in-depth interpretation,constructive suggestions are put forward to provide the reference for the anti-genre research of domestic films in the initial stage and enrich the critical framework of films. |
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