On Qian Zhongshu's Poetic View

As an outstanding writer and scholar in the history of modern Chinese literature,Qian Zhong Shu has always been dedicated to the research of wit and humor,and has contributed a number of academic works with both rigor and sureness in his decades of literary career.Especially in the study of poetics,Qian Zhong Shu stands on the vast and profound poetics background of China and the west,and with his far-sighted and original thinking,reveals the common humanity's passionate poetics and the mystery of poetics.His poetical works," Talk about art record ","Anthology of song poetry"," Tube cone plait " and " Poetry " melt the macro construction and micro perspective into one furnace,and integrate the Chinese and western poetics theories into one,presenting a colorful and grand poetics,which has become a unique landscape in the 20 th century Chinese literature.This paper is mainly divided into the following four parts.The introduction part,the concept of "poetic" has carried on the limits the term of the scope,will be the term "poetics" is limited to the scope of related to this specific style poetry,not including western literary theory in discourse form epic,drama and lyric poetry and other kinds of style,to strict limits on the scope of this paper in the related fields of poetry.The first chapter summarizes the academic background and construction mode of Qian Zhong Shu's poetics.The first section takes Qian Zhong Shu's life track of nearly one hundred years as the clue,divides the development course of his poetics view into two stages: the preliminary exploration in the student age and the hard work in the scholar age.Combining with the academic articles of different periods,the author explains in detail the movement track of his poetics conception brewing,developing and maturing.Construction of Qian Zhong Shu's poetics theory in the second quarter way has carried on the induction,mainly from the integrity of Qian Zhong Shu writings on the range and richness,research methods of consistency,poetry is discussed on the point of intertextuality and circularity of Qian Zhong Shu is analyzed in three aspects: the poetic theory in the macroscopic field of vision of the system,points out that in addition to the "view and take about,who is thin hair" the creative practice of Qian Zhong Shu's poetic theory or "powder is not alike" and "poly is always" perfect fusion.The second chapter is the key chapter of this paper,the author in the overall grasp of Qian Zhong Shu "poetry,art to take resources in the text also.Words sound,poetry for tone for the law;The text has the righteousness,poetry it similar color said,it is similar to algae,in order to write heart,it is the feeling.And his keys are strings of heritage,a language with words of taste,the charm is how " poetics view,on the basis of the essence of Qian Zhong Shu's poetry,poetic language,poetic imagination,emotional poetry,poetry layout,poetry realm in six aspects,the forms of expression of Qian Zhong Shu poetics view has made the detailed interpretation and comprehensive summary.On this basis,the author analyzes Qian Zhong Shu's understanding and interpretation of "divinity" and "rhyme",and holds that Qian Zhong Shu's poetics takes "verve" as the highest state.And should achieve "verve" state,want to have the following two conditions at least.First,poetry should not only take language as the carrier,but also transcend the external constraints of language,and finally resort to the intuition of "ineffability".Second,on the basis of "god",poetry should be "adjusted with the left notes outside the strings,the words have the aftertaste of the expression".Only by combining the two,can we achieve the poetic beauty of endless speech and endless meaning and full of verve.On the basis of the clarification of "god" and "rhyme",Qian Zhong Shu got through the literary theories of ancient and modern times and at home and abroad,and defined "verve" as "poetic " in song dynasty,"painting " in Ming dynasty,"silence" in class,and "grand and delicate".If the margin is removed the verve is operate In order not to draw,not to show not to draw,not to say,like the "poetic" has "opportunity" and to "participate".It can be said that Qian Zhong Shu is the first person who initiated the comprehensive and concrete poetry appreciation era among all the art talkers at home and abroad.Third chapter stands in the tradition and modern,local and foreign human poetics,pointed out that the academic attitude of Qian Zhong Shu to objective and fair,caves candle micro academic vision and all-encompassing view of the phenomenon in the face of poetics,on the basis of rethinking the traditional poetics discourse pattern,construct a set of combination of traditional ideas and modern criticism of literary criticism,but there are also their own ideas to convey the limitations of the weaker.The fourth part is the conclusion,pointing out the core point of this paper,which is to make a comprehensive review and summary of Qian Zhong Shu's poetics,and analyze the shining points and shortcomings of his poetics,so as to remove all kinds of cover on Qian Zhong Shu's know-ledge and return to his original appearance.