A Study On The Creation Of Juxtaposed Oil Paintings And Woodcut Prints

The works aims to define the art coordination of "engraving" and "oil painting",a way to make them compatible – juxtaposition--the main study of this work.The understanding of the research object will be deepened in the significance,classification and methods of deep anatomical juxtaposition in its production furthering the depth of artistic creation.The innovative part of this paper is to display the content of woodcut engraving "on the canvas" and the effect of oil painting on the substrate of the engraving.Based on this,the material of the work is tentatively set as woodblock oil color.Besides,the process of painting is juxtaposition.The main body of this paper is divided into three parts,mainly describing the central idea for the production,innovative parts,problems encountered and the solutions accordingly.The production is also divided into three parts.First,the establishment of the theme,traditional or modern.Second,the innovation,including the establishment of media materials and the formation of engraving oil.Third,based on distinguishing "collage art" and "juxtaposition art",the author explores the meaning,classification and methods of juxtaposition.For example,such works as "Big Family","Old Shanghai People"," Harmony " mainly refer to "China","folk art" and "traditional culture" as the key words of literary theories and classic works,clarifying in the concept of the prints of "black and white woodcut" or "China",relating to concept and context and combining the appearance of "door" and "window" painted for the representational production with print painting techniques called juxtaposition.“A Big Family” and “Old Shanghai People”are also part of the architecture.Together with “Profound Changes of The Times” and “Jiang? an ”,they selected the architectural scenery of Jiangsu and Zhejiang provinces,trying to innovate on the base plates and exploring the production by the method of parallel oil painting.In addition to the discussion of art itself,there is an external sociological significance,ie,the consciousness of history and the consciousness of problems in the social scene.The concepts of painting production in this paper was originally in the " Cultural Consciousness " proposed by Fei Xiaotong under the influence of his thoughts,investigation,researches,discussions and paintings.It also helps deepen the understanding of research objects and the depth of the production of juxtaposition based on the experience.