Research On The Interpenetration Of Styles In Bing Xin's Creation In The 1940s

In the 20 th century,female literature,in terms of the wide range and influence of the creative process,Bing Xin is eye-catching.She writes with the gentleness of women and the humanistic concern of intellectuals,adding a beautiful color to Chinese modern and contemporary literature.In the 1940 s,Bing Xin ended the state of silence in the 1930 s due to the changes of the times,the displacement of the Southwest,and the untimely creation of personal subjective creations.She began to try to sound and seek to fit his own creation in the era.Although there are not many works in this period,the exploration and adjustment in style can not be ignored,and the phenomenon of Stylistic Mutual Penetration such as Novelized poetry,Novelized prose,epistolary communication,poetic prose and Poetic novels is presented in various ways.Although epistolary communication,poetic prose and Poetic novels appeared in their works in the 1920 s,This issue is very different in terms of expression or emotional color.Novelized poetry and Novelized prose embody the new development of Bing Xin in style.The phenomenon of Stylistic Mutual Penetration in the creation of Bing Xin in the 1940 s was characterized by the interpenetration of genre and genre.It was actually a change in style,with the diversity of genre interpenetration and the richness of stylistic colors.It shows that its style has the characteristics of "elegant and gracious" to "Thule and lush".The formation of the phenomenon of Stylistic Mutual Penetration is closely related to the main spirit of "gentle and honest",the "neutral" aesthetic form of traditional culture,and the era context under the mainstream discourse,which reflects the profound adjustment process of literary ideas and creations.This article takes Bing Xin's creative style in the 1940 s as the research object.From the perspective of style interpenetration,we pay attention to the characteristics and changes of Bing Xin's creation during this period.It aims to reveal the change of Bing Xin's thoughts,style of works,and the development of literary spirit.Examine its creative value.And further explore and reflect on the significance of the phenomenon of Stylistic Mutual Penetration.Therefore,the following chapters are designed for discussion.The introduction part elaborates the concept of stylistic and Stylistic Mutual Penetration,the evolution and principle of stylistic interpenetration,the reasons for the selection of topics and the current research situation at home and abroad,thus showing the content and research significance of this topic,and further pointing out the innovation of this article.The main text consists of four parts.The first chapter pays attention to the emphasis of style selection in the 1940 s from the perspective of stylistic consciousness and stylistic expectation,and further points out that the phenomenon of Stylistic Mutual Penetration exists in the creation of Bingxin.The second chapter and the third chapter discuss from the discourse level of stylistics,specifically: The second chapter compares the forms of genre interpenetration in the 1920 s and 1930 s,and shows the specific forms and changes of genre interinfiltration in the 1940 s.The third chapter compares with the characteristics of interosmosis in the 1920 s and 1930 s,and discusses the complex features of interosmosis in the 1940 s from three aspects: lyrical,narrative and free language,and reveals the changes in style.The fourth chapter explores the subjective and objective factors of interpenetration of Chinese characters in Bingxin creation in the 1940s--the spirit of the subject,traditional culture,and the context of the times,and reveals the diversity of the objective and real creative psychology and spiritual structure reflected by Stylistic Mutual Penetration.Shows the adaptation,breakthrough,and development of her creation during this period.Bing Xin constantly harmonizes the expressiveness of various genres in the form of mutual infiltration of styles.It originates from the "gentle and honest" subjective spirit and the "neutralization" aesthetic form of traditional culture,and is in harmony with the context of the time and the personal life experience.The content of his "love and sympathy" has been further sublimated,and the form of "harmony" with each other's styles has realized the unity of the form and content of literary works.