Research On The Reconstruction Of "Shangyang Dance" In Juancheng, Heze, Shandong

Shangyang Dance is a folk rain prayer and sacrificial activity,commonly known as loudboard,which is spread around Xinghuagang Village,Juancheng County,Heze City,Shandong Province.According to Confucius.Dialectical literature records that this dance has emerged from the Shang and Zhou dynasties,until the Ming and Qing dynasties are still popular.With the historical progress of society,Shang Yang dance withered and died out in the 50undefineds of last century.After that,under the guidance of the Party and the governmentundefineds thought of attaching importance to the national folk culture,the rescue action was launched.Especially in the past 20 years,the national intangible cultural heritage protection has been carried out in full swing,and the endangered traditional cultural resources have been excavated,sorted out and rescued all over the country.Therefore,Shang Yang Dance in the national government,local cultural elites,folk and other strata of recovery began to re-active in the modern stage.This paper takes the macro historical development of Shang sheep dance as the main line,takes the reconstruction process and internal and external relations of Shang sheep dance as the narrative framework,and probes into the significance of the reconstruction of Shang Yang dance in Xinghuagang village from the perspective of "official-folk" relationship.In the structure,this paper is mainly divided into the introduction,the main body three chapters and the conclusion part.The introduction explains the reason why this thesis is selected,clarifies the basic research theories and methods used in this paper,and defines the attribute of the research object and the perspective of the research.The first chapter makes a diachronic analysis of the cultural habitat,historical origin and changing course of Shang Yang Dance,and emphatically presents that Shang Yang Dance is a vivid traditional image of folk custom under historical circulation,and analyzes that Modern Shang Yang Dance is a restored dance form.The second chapter describes the factors of Shang Yang Dance recovery,including the background of the times,the national government and the common construction of the local people.Among them,the "March 3" ceremony and contemporary stage performance of dance forms,including performance scenes and dance movements and so on.The third chapter focuses on the impetus and significance of the reconstruction of Shang Sheep Dance.From the cultural identity,the protection of the traditional culture and the reconstruction of the meaning of the three angles to elaborate.Finally,the conclusion part of the traditional reconstruction of the re-thinking.