On The Dissemination Of Visual Aesthetics In The Image Age

There are images everywhere in the modern world.Our daily life is full of different kinds of visual information.No matter real or virtual,the image has become the important fact in the dissemination process of the new medium,which has an impact not only on our behavior and thoughts,but also on the development trends of modern politics,culture and economics.The main cause of the overextending of the “visual culture” concept is that the visual culture always goes with the visual activity of mankind.The study of visual culture dissemination has its own character to distinguish from other cultures.Therefore,it is necessary to analyse the dissemination characteristics of the contemporary visual culture,which will help us to understand the dissemination reasonably.And this is one of the important areas in culture study.While image is a culture objective,the relationship between producers and admirers is not only the difference between acceptance and being accepted.There are tremendous different understandings of visual aesthetics experiences under the different times and culture background.The thesis insists on discussing the visual aesthetics characteristics of the image dissemination process,in order to connect the evolution and inner logic between broadcasters and admirers.By seeking the different standpoints of the visual aesthetics dissemination in the image times,this thesis will deeply discuss the introspection and critique of the aesthetic culture.