Wang Chong's Learning And Inheritance Of Zhong And Wang Xiaokai And Its Enlightenment

1.1 Objects and Purposes of Theme SelectionThis paper chooses Wang Chong Xiaokai' s point of inheritance of Zhong Wang' s learning as the center,hoping to achieve two goals through the pursuit of the causes of Wang Chong Xiaokai' s style orientation:first,to make a general analysis and combing of the ancient and Xiao San style of Wei and Jin calligraphy represented by Zhong Wang;second,to give people a kind of background,method and pursuit process of Wang Chong' s learning.Learning from the ancients without muddying them is a useful reference for us.Wei and Jin Dynasty is a very important period in the history of Chinese calligraphy.The function of calligraphy began to humanize and highlight individual emotional expression.Literature can contain Tao,books can be written in the same way,and literary thinking and calligraphy can complement each other.From this period,calligraphers emerged as independent individuals.Calligraphy was not only for religious sacrifices,official praises of merits and virtues,and practical recording tools.Calligraphy stepped down from the altar and began to personify.Famous calligraphers began to be sought after.Zhong You and Erwang were the representative calligraphers in the Wei and Jin Dynasties.Zhong He is a typical representative of the regular script period in the early Wei and Jin Dynasties.His handed down works are especially famous for the regular script,such as "Declaration Table","Liming Table"and "Recommendation Season Table".But I especially like the "Jiji Zhi Watch",which is based on the method of Zhong Yi' s Xiaokai,which is mixed with the trace of seal script,dotted with strong and vigorous,flat-bodied,not only the majestic Temple spirit of Li Shu,but also able to break through the solemnity,integrate into their own learning and thinking,and use Xiaokai to express their own personality and small mood.Wang Xizhi' s father and son,Wang Xianzhi,are important writers who promoted the maturity of regular scripts in Zhong Xi' s later period.On the basis of Zhong Fang,the two kings made great efforts to introduce new methods,such as "direct introduct ion by the front","strong and sharp strokes","sharp square and hard strokes" and "skillful shape and dense gestures".They are called "modern style" calligraphy.The representative works Wang Xizhi' s On Leyi and Wang Xianzhi's Thirteen Elements of Luoshen Fu.Wang Zhongziluren,named Yayi Shanren,is from Jiangsu Province.Among the four Wumen families,Wang Chong Xiaokai was the youngest.Although he finished his life in his forties,Wang Chong Xiaokai played an indispensable role in the history of calligraphy.Especially in the background of the popularity of Tai Ge style calligraphy in the early Ming Dynasty,which was characterized by square,bright,black and uniform size,Wang Chong went against the wind and overtook Wei and Jin Dynasties,and gained the core of Zhong and Wang' s "taking humility as the body and Xiao San as the god".The temperament broke the dilemma of Xiaokai's declining style and appearance since Yuan Dynasty.It served as the artistic height of Wumen' s four Xiaokai calligraphy,enlightened the people of the time,and enlightened the Romantic style of Fu Shan and Wang Duo in the late Ming and early Qing Dynasties.1.2 The academic background of Wang Chong Xiaokai' s research.At present,"Calligraphy" has been upgraded to a national second-level discipline.From professional art col leges to local society,the popularity of calligraphy has become more and more intense.At present,there are a lot of academic studies on Wang Chong Xiaokai.The Yuan and Ming Dynasties volume edited by Huang Tong,the history of Chinese calligraphy,published by Jiangsu Education Publishing House in 2002,in which the fourth section of Chapter III,"Four Families of Wumen"introduces Wang Chong specially,but because of the limited space,it mainly introduces Wang Chong' s life and the basic outlook of his calligraphy in general,without a micro-centralized discussion.The book Wang Chong,published by Xue Longchun in 2004,mainly introduces Wang Chong' s life,Wang Chong' s calligraphy,Wang Chong's poetry and so on.In the fourth issue of Suzhou Educational Journal in 2009,Mr.Fang Jianxun' s On the Simple Beauty of Wang Chong' s Calligraphy is mainly based on the metaphysical aesthetics of calligraphy,combining Shi Tao' s theory of painting through the aspects of charm,image and brush and ink.To interpret Wang Chong' s calligraphy temperament.According to the time,the postgraduate papers on Wang Chong Xiaokai selected by Song Ye of Southeast University in 2011 mainly focus on the cross-sectional study of the background factors of the times and the causes of the different stages of calligraphy style.In 2014,Fan Chunfang of Fujian Normal University wrote "Wu Zhongsanzi s Calligraphy Style Theory-Take Xiaokai as an example",whose literature mainly focuses on aesthetics and art.The third section of the third chapter focuses on Wang Chongxiaokai' s"rhyme".In 2017,Zhang Junying of Southeast University "Wang Chongxiaokai' s Calligraphy Style Study",the main length of his article discusses the main factors of the times and personal factors,which are the main causes of Wang Chongxiaokai' s style.Previous academic studies have carried out in-depth research on Wang Chong' s life time,Wang Chong Xiaokai' s specific writing and rules,focusing on the horizontal comparative study of contemporary calligraphers.This article hopes to find out the cause of Wang Chong Xiaokai' s calligraphy in a vertical way by looking for the attitude and method of Wei and Jin Dynasty.In a narrow sense,by sort ing out and drawing lessons from it,we can provide a macro-systematic direction and method for the author' s own regular script learning.