Social And Cultural Thinking Under Yang Zhengguang's Violent And Cold Narrative

This paper takes Yang Zhengguang's published film dramas as the main research object,and selects "Shuangqi Town Dagger""Ram's love" "soldier""Exiling""The Emotion of the Empire" as the main text to radiate all Yang Zhengguang's dramas and novels.Through the analysis and induction of the theme,plot,characters and other narrative elements of the text,as well as social,historical and other ideological elements or background elements,from poetic writing,deconstructed writing,This paper analyzes the poetic beauty,relational beauty and ruins beauty of the violent elements in Yang Zhengguang's fictional text from three aspects of historical writing.The second part of this paper mainly analyzes the occurrence mechanism of violence,including incompetence,ignorance,incomplete consciousness and other psychological factors,and also originates from the realistic logic of "violence against violence" and the cultural psychological soil of "egoism".Secondly,The occurrence of violence has its inherent dialectical mechanism,which is mainly manifested in its rationality,the dialectical relationship between legitimacy and nihilism.The third part of this paper mainly summarizes the aesthetic purpose of Yang Zhengguang's film plays lies in his revealing of the black nature of violence and the call for the redemption of violence.Spiritual ruins breed violence,and violence is the cause of material ruins and spiritual ruins.Violence against the oppression of evil forces is constructive,and after the destruction of violence,reconstruction above the ruins is the way to save violence.The research methods of this paper will be based on narratology theory,drama theory,supplemented by existentialist aesthetics,sociology,psychology,history and other related research results,the use of text analysis,theoretical interpretation and other methods.This paper makes a detailed investigation on the elements of Yang Zhengguang's film drama text.The violent writing in Yang Zhengguang's literary works has been concerned by Zhu Dake and other scholars,and Yang Zhengguang's western film creation has also been discussed by scholars.The innovation of this paper lies in the angle of violent writing in Yang Zhengguang's film plays.This paper analyzes the aesthetic significance of the use of violent elements in Yang Zhengguang's film writing beyond the purport of popular reading/viewing.Secondly,this paper can form intertextuality with the existing research results of Yang Zhengguang's novels,and enrich the critical research of Yang Zhengguang.Third,the current theoretical development of violence aesthetics is still in the construction stage.If violence can rise to the level of aesthetic category,it is far from enough to emphasize the aesthetic significance of the form of violence.Therefore,this paper tries to make a modest contribution to the theoretical construction and research practice of violence aesthetics.Finally,disdain strive to innovate a unique perspective in the study of film drama,and become a powerful part of the current domestic film and television drama research.