A Study On The Spatial Expression Of Xiaojing's Landscape Paintings In The Song Dynasty

The Song Dynasty was an era of unprecedented prosperity and spiritual civilization in Chinese feudal society.Song Dynasty landscape paintings developed a complete set of artistic styles on the basis of inheriting the Tang and Five Dynasties in the fields of theme selection,picture composition,painting style,pen and ink use,and aesthetic concepts system.In the late Northern Song Dynasty,due to the pursuit of " Jian Yi"and "Xiao Han" style poetry and paintings by the literati,the landscape paintings with panoramic composition were gradually replaced by Xiaojing landscape paintings.This kind of "small scene" landscape painting usually refers to"small,simple and elegant",mostly small-scale paintings in the form of scrolls,screens or fans."Xuanhe painting manual" makes a certain analysis of the attributes of small landscape painting:"as for the scenery,it is not close,and the ten thousand li can be discussed,it is not the common work that can reach?"Based on the unique concept of time and space in traditional Chinese painting,this paper explores the causes of the emergence of landscape painting and the way of space construction,and analyzes the form and expression language of its creation.From a new point of view and understanding of the Song Dynasty landscape painting unique spatial form of expression,study its unique aesthetic value and meaning.Firstly,this paper defines the concept of small landscape painting in Song Dynasty,and analyzes its causes from the political,economic and ideological levels;secondly,it grasps the most important characteristics of the spatial performance of small landscape painting in Song Dynasty,explores its spatial construction mode,and compares and analyzes its unique features through examples;then it also analyzes the ink structure of small landscape painting in Song Dynasty through examples Form and poetic expression of language to analyze;finally,summarize the full text and draw inspiration.The spatial expression of small landscape painting in Song Dynasty is the concrete embodiment of "external creation and internal source",which reflects the sublimation of the creator’s "Id",and is the external expression of painter’s mood,experience and aesthetic interest.This paper tries to understand the unique spatial form of landscape painting in Song Dynasty from a new perspective and perspective,and study its unique aesthetic value and meaning.By studying the spatial concept and artistic expression of landscape painting in Song Dynasty,and combing the spatial expression system of landscape painting,we can deepen our understanding of the creation of Chinese traditional landscape painting,in order to clarify the formation process of the unique spatial expression form of landscape painting in Song Dynasty and the unique aesthetic value contained in it,and hope to shape the space of contemporary Chinese landscape painting Style brings reference and enlightenment.